“We live in an era of cement, concrete, and sugar—inside our bodies, sugar is killing us in the same way modern architecture is destroying our cities. These substances come fast and cheap, but we don’t see the big picture. For thousands of years, people knew the value of the things they made—they cut one big stone and knew it would remain forever. But today’s architects cannot imagine the future. They don’t know what to build in the centre of a city because the world is changing so fast. We don’t know what kind of buildings we’ll need in 20 years, so there is no vision.” (Victor Kossakovsky)
Architecton Architecton
An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.
What's On
The Last One for the Road Le città di pianura
Francesco Sossai
Saturday, 08. 08. 2026 / 21:15 / Main Hall
Francesco Sossai breathes new life into Italian comedy with a bittersweet road movie. Together with two old friends, we wander through the Venetian lowlands, empty our glasses, and try to remember the “truly incredible thing about life” that Carlo Bianchi discovered. It was the big winner at the prestigious Italian David di Donatello film awards.
Lampie Lampje – de film
Margien Rogaar
Sunday, 09. 08. 2026 / 16:50 / Main Hall
Eleven-year-old Lampie lives by the lighthouse with her father. One day, she is sent to work in the Black House as a punishment, where she meets Edward, a boy with a fish tail. Lampie must decide whether to save her new friend or return to her father.
It Was Just an Accident Yek tasadef sadeh
Jafar Panahi
Sunday, 09. 08. 2026 / 19:00 / Main Hall
A slowly smouldering moral thriller by Jafar Panahi, inspired by the director’s own experience of imprisonment. The film twists and turns as it probes difficult questions of revenge, trauma and forgiveness, all the while sustaining a vein of bitter, unsettling humour.
Winner of the Palme d’Or at Cannes.