“We live in an era of cement, concrete, and sugar—inside our bodies, sugar is killing us in the same way modern architecture is destroying our cities. These substances come fast and cheap, but we don’t see the big picture. For thousands of years, people knew the value of the things they made—they cut one big stone and knew it would remain forever. But today’s architects cannot imagine the future. They don’t know what to build in the centre of a city because the world is changing so fast. We don’t know what kind of buildings we’ll need in 20 years, so there is no vision.” (Victor Kossakovsky)
Architecton Architecton
An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.
What's On
Sentimental Value Affeksjonsverdi
Joachim Trier
Monday, 26. 01. 2026 / 15:30 / Main Hall
After the success of The Worst Person in the World, Joachim Trier returns with an intimate and deeply moving story about family, memory, and the unifying power of art. Winner of the Grand Jury Prize in Cannes and nominated for eight Golden Globes.
Sold Out
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 26. 01. 2026 / 16:45 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
The Devil, Probably Le diable probablement
Robert Bresson
Monday, 26. 01. 2026 / 18:15 / Main Hall
“My illness is that I see things too clearly.” Robert Bresson’s The Devil, Probably caused a storm at the Berlinale in 1977, and in France screenings were banned for viewers under eighteen due to fears it might encourage suicide among young people.