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Architecton Architecton

Viktor Kosakovski / Germany, USA, France / 2024 / 98 min / Italian, English

An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.

“We live in an era of cement, concrete, and sugar—inside our bodies, sugar is killing us in the same way modern architecture is destroying our cities. These substances come fast and cheap, but we don’t see the big picture. For thousands of years, people knew the value of the things they made—they cut one big stone and knew it would remain forever. But today’s architects cannot imagine the future. They don’t know what to build in the centre of a city because the world is changing so fast. We don’t know what kind of buildings we’ll need in 20 years, so there is no vision.” (Victor Kossakovsky)

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What's On

A Real Pain A Real Pain

Jesse Eisenberg

Wednesday, 05. 11. 2025 / 15:00 / Main Hall

Two estranged cousins join a guided tour of Poland to pay tribute to their beloved grandmother. Oscar for the Best Supporting Actor and a nomination for Best Original Screenplay.

New Classmates Novi sošolci

Toni Cahunek

Wednesday, 05. 11. 2025 / 17:00 / Small Hall

Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.

Sorry, Baby Sorry, Baby

Eva Victor

Wednesday, 05. 11. 2025 / 17:45 / Main Hall

An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.