“We live in an era of cement, concrete, and sugar—inside our bodies, sugar is killing us in the same way modern architecture is destroying our cities. These substances come fast and cheap, but we don’t see the big picture. For thousands of years, people knew the value of the things they made—they cut one big stone and knew it would remain forever. But today’s architects cannot imagine the future. They don’t know what to build in the centre of a city because the world is changing so fast. We don’t know what kind of buildings we’ll need in 20 years, so there is no vision.” (Victor Kossakovsky)
Architecton Architecton
An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.
What's On
LIFFe
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Perspectives
Peacock Pfau - Bin ich echt?
Bernhard Wenger
Wednesday, 19. 11. 2025 / 16:00 / Main Hall
Focusing on a master impersonator for hire slipping seamlessly into any role demanded by his clients, Wenger’s directorial debut feature abounds in visual humour and unexpected plot twists.
New Classmates Novi sošolci
Toni Cahunek
Wednesday, 19. 11. 2025 / 17:15 / Small Hall
Slovenia’s economy relies on workers from Kosovo. But how does society accept their children? The documentary New Classmates explores the background of Kosovar immigration and the challenges their children face integrating into a new country. It highlights the stories of four children of immigrant families and their parents, who face various obstacles due to their ethnic background and limited knowledge of the Slovenian language.
LIFFe
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Panorama
The Little Sister La petite dernière
Hafsia Herzi
Wednesday, 19. 11. 2025 / 18:15 / Main Hall
A young Muslim woman struggles to reconcile her blossoming sexuality with her identity and family expectations in Hafsia Herzi’s adaptation of Fatima Daas’ 2020 novel.