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Ana, mon amour Ana, mon amour

Cãlin Peter Netzer / Romania, Germany, France / 2017 / 125 min / Romanian, Russian

A careful study of mental illness and recovery, which follows the rise and fall of a stormy romantic relationship.

Toma and Ana meet during their philosphy studies. Ana suffers from anxiety attacks and family issues, while Toma stands by her side. Although it seems that it is Toma who has everything under control, he is merely following Ana, a woman whom he cannot understand. And when Ana finally conquers her fears and adapts to the outside world, Toma finds himself alone with a mountain of questions.

With this self-styled reworking of the novel Luminiţa, mon amour, director Cãlin Peter Betzer creates a careful study of mental illness and recovery, which follows the rise and fall of a stormy romantic relationship. Winner of the Silver Bear award for technical achievement at the Berlin Film Festival.

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What's On

Yunan Yunan

Ameer Fakher Eldin

Sunday, 22. 03. 2026 / 19:00 / Main Hall

The Hamburg-based director of Palestinian-Syrian descent places the second instalment of his Homeland trilogy on a small, flood-prone island in the Wadden Sea. This melancholic, mood-driven film about exile and the scars it leaves behind features a charismatic performance by the legendary Hanna Schygulla. 

Last Screening

Father Mother Sister Brother Father Mother Sister Brother

Jim Jarmusch

Monday, 23. 03. 2026 / 16:10 / Main Hall

Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.

Fiume o morte! Fiume o morte!

Igor Bezinović

Monday, 23. 03. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.