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Ana, mon amour Ana, mon amour

Cãlin Peter Netzer / Romania, Germany, France / 2017 / 125 min / Romanian, Russian

A careful study of mental illness and recovery, which follows the rise and fall of a stormy romantic relationship.

Toma and Ana meet during their philosphy studies. Ana suffers from anxiety attacks and family issues, while Toma stands by her side. Although it seems that it is Toma who has everything under control, he is merely following Ana, a woman whom he cannot understand. And when Ana finally conquers her fears and adapts to the outside world, Toma finds himself alone with a mountain of questions.

With this self-styled reworking of the novel Luminiţa, mon amour, director Cãlin Peter Betzer creates a careful study of mental illness and recovery, which follows the rise and fall of a stormy romantic relationship. Winner of the Silver Bear award for technical achievement at the Berlin Film Festival.

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What's On

Whispers in the Woods Le chant des forêts

Vincent Munier

Thursday, 18. 06. 2026 / 16:50 / Main Hall

Following his film The Velvet Queen, in which he searched the Tibetan highlands for the elusive big cat, nature photographer Vincent Munier now invites us on an intimate journey to his native Vosges Mountains. Together with him, we will immerse ourselves in the sounds, textures, and scents of ancient forests. The film won the César Award for Best Documentary.

Sandbag Dam Zečji nasip

Čejen Černić

Thursday, 18. 06. 2026 / 19:00 / Main Hall

A story of forbidden love in the Croatian countryside, Sandbag Dam won the Kinotrip Youth Jury Award at Ljubljana International Film Festival (Liffe), as well as four awards at the Pula Film Festival.

Kinodvorišče / Premiere

God Will not Help Bog neće pomoći

Hana Jušić

Thursday, 18. 06. 2026 / 21:30 / Kinodvorišče

The second feature film from Hana Jušić (Quit Staring at My Plate) is a darkly poetic neo-Western about a mysterious Chilean woman who brings unrest to a traditional Croatian shepherding community at the beginning of the 20th century. Blending elements of Wuthering Heights, Croatian folklore, and Jane Campion’s The Piano, the film earned its two leading actresses an award at Locarno.