The Box Office is open from 14:30 till 20:30 (will open in 06:30).
FeKK VR kino: Točka pobega

FeKK VR kino: Fluchtpunkt

Tonight is the great vernissage of the up-and-coming artist Carlotta Carlsen. While two girls mock her work, the important buyer waits impatiently – what could be delaying the artist’s arrival? She is stuck at home because her ex-boyfriend Raul has unexpectedly appeared to confront her. Their fight reaches its peak when, in the back alley, two robbers fleeing from the police see Carlotta’s window as a ticket to freedom.

Austria, 360°, fiction, 2017, 6′

Director: Béla Baptiste
Screenplay: Béla Baptiste
Cinematography: Alexander Dirninger
Costumes: Veronika Harb
Sound: Bernd Dormayer
Music: Fainschmitz
Cast: Dolly Lewis, Peter Marton, Alexey Hartlieb-Shea
Production: Lena Weiss (Filmakademie Wien)

What's On

The Last Viking Den sidste viking

Anders Thomas Jensen

Thursday, 16. 04. 2026 / 15:30 / Main Hall

Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 16. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Two Prosecutors Dva prokurora

Sergej Loznica

Thursday, 16. 04. 2026 / 18:00 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.