The Box Office is open from 14:30 till 20:30 (will open in 09:36).
FeKK VR kino: Meter dvajset: slepi zmenek

FeKK VR kino: 4 Feet: Blind Date

Juana, an 18-year-old girl in a wheelchair, is anxious to explore her sexuality. She’s going on a blind date with guy she found on social media. She didn’t tell him about her disability. Overcoming fears and an inaccessible city, they meet. Together they discover what their bodies feel.

Metro veinte: Cita ciega 
Argentina, 360°, 2018 19′

Director: María Belén Poncio
Screenplay: Rosario Perazolo Masjoan, Ezequiel Lenardón, Elisa Gagliano, Agustín Peralta Pando, María Belén Poncio
Cinematography: Marcos Rostagno
Scenography: Guillermo Men
Sound: Spatial Sound Design: Ariel Litvinov
Music: Santiago Beltramo
Cast: Delfina Díaz Gavier, Cristóbal López Baena
Production: Detona Cultura

What's On

The Last Viking Den sidste viking

Anders Thomas Jensen

Thursday, 16. 04. 2026 / 15:30 / Main Hall

Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 16. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Two Prosecutors Dva prokurora

Sergej Loznica

Thursday, 16. 04. 2026 / 18:00 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.