In the hidden high-security government laboratory where she works, lonely Elisa is trapped in a life of isolation. But when she and her co-worker Zelda discover a secret classified experiment, Elisa’s life is changed forever. From master storyteller Guillermo del Toro comes an other-worldly fable, set against the backdrop of Cold War era America. Winner of the Golden Lion at last year’s Venice Film Festival, two Golden Globes and four Academy Awards, including Best Direction and Motion Picture.
The Shape of Water The Shape of Water
From master storyteller Guillermo del Toro comes an other-worldly fable, set against the backdrop of Cold War era America.
festivals, awards Golden Lion, Venice Film Festival. Four Oscars: best director, best film, best original score, best production design.
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The Room Next Door The Room Next Door
Pedro Almodóvar
Thursday, 24. 07. 2025 / 21:30 / The Ljubljana Castle
Ingrid and Martha were close friends in their youth, but life separated them: Ingrid became a writer, and Martha a war correspondent. After years without contact, they meet again under unusual circumstances… Pedro Almodóvar’s latest creation is a story about the beauty of life and the inevitability of death, full of colour, light, and humour. The film won the Golden Lion in Venice and earned Tilda Swinton a Golden Globe nomination.
The Brutalist The Brutalist
Brady Corbet
Friday, 25. 07. 2025 / 21:30 / The Ljubljana Castle
A monumental epic about a Jewish architect who, in the post-World War II era, comes to grips with the dark side of the American dream. Winner of the Golden Lion for Best Direction in Venice.
Mickey 17 Mickey 17
Bong Joon Ho
Saturday, 26. 07. 2025 / 21:30 / The Ljubljana Castle
Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.
