Man Ray made his first 2 minutes and 51 seconds long film Le Retour à la raison the day before its première at the dadaist event Le Cœur à barbe, which took place in Paris on 6 July 1923. To celebrate the hundredth anniversary, Jim Jarmusch and Carter Logan, founding members of Sqürl, created an improvised musical accompaniment for this and three other works by the American artist. The restored films, combined into a 70-minute programme entitled Return to Reason, were premièred this year in the Cannes Classics section.
Return to Reason Return to Reason
Programme: Le retour à la raison (1923, 3'), Emak-bakia (1926, 18'), L’étoile de mer (1927/28, 15'), Les mystères du château du Dé (1929, 27').
Photos
What's On
The Room Next Door The Room Next Door
Pedro Almodóvar
Thursday, 24. 07. 2025 / 21:30 / The Ljubljana Castle
Ingrid and Martha were close friends in their youth, but life separated them: Ingrid became a writer, and Martha a war correspondent. After years without contact, they meet again under unusual circumstances… Pedro Almodóvar’s latest creation is a story about the beauty of life and the inevitability of death, full of colour, light, and humour. The film won the Golden Lion in Venice and earned Tilda Swinton a Golden Globe nomination.
The Brutalist The Brutalist
Brady Corbet
Friday, 25. 07. 2025 / 21:30 / The Ljubljana Castle
A monumental epic about a Jewish architect who, in the post-World War II era, comes to grips with the dark side of the American dream. Winner of the Golden Lion for Best Direction in Venice.
Mickey 17 Mickey 17
Bong Joon Ho
Saturday, 26. 07. 2025 / 21:30 / The Ljubljana Castle
Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.
