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European Short Film Audience Awards II. Ljubljenci evropskega občinstva II. (2023)

različni avtorji / various / 76 min

Tondex 2000, Jean-Baptiste Leonetti; Dzielenie Się, Natalia Sara Skorupa; Arquitectura Emocional 1959, Elias León Siminiani; Sven nicht jetzt, wann dann...?, Jens Rosemann

Tondex 2000 
Jean-Baptiste Leonetti, Francija, 2023, 28’

Dzielenie Się / Sharing 
Natalia Sara Skorupa, Poljska, 2021, 14’

Arquitectura Emocional 1959 /  Emotional Architecture 1959
Elias León Siminiani, Španija, 2022, 30’

Sven nicht jetzt, wann dann...? / If Not Now, Then When…? 
Jens Rosemann, Nemčija, 2021, 4’

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What's On

Additional Screening

Materialists Materialists

Celine Song

Saturday, 23. 08. 2025 / 20:20 / Main Hall

Lucy works at a high-end matchmaking company trying to pair up moneyed entrepreneurs with elite bachelors and bachelorettes. When she meets Harry at the wedding of two of her successfully paired clients, she immediately knows that this ‘unicorn’ would be a perfect catch for a lot of her customers. But Harry is more interested in Lucy. And then her ex suddenly shows up… As we could expect from the director of Past Lives, Materialists is not exactly a romantic comedy about a matchmaker torn between two suitors, but rather a lucid examination of the contradictions of love and dating.

Into the Wonderwoods Angelo dans la forêt mystérieuse

Vincent Paronnaud, Alexis Ducord

Sunday, 24. 08. 2025 / 17:10 / Main Hall

10-year-old Angelo dreams of being an adventurer and explorer.

Mickey 17 Mickey 17

Bong Joon Ho

Sunday, 24. 08. 2025 / 19:00 / Main Hall

Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.