The pioneer breakthrough and a great classic in the arena of gay erotica, Boys in the Sand, made by the Broadway dancer and choreographer Wakefield Pool, was the first publicly and officially screened film involving hard-core scenes of gay sexuality. This was the year before Deep Throat and the official beginning of the “porno chic” era, as mentioned in the annals. The Boys in the Sand were mentioned in prestige publications such as Variety and The New York Times. And they weren’t just chic—they were the first to be chic!
Boys in the Sand Boys in the Sand
Like Botticelli's Venera, the handsome Adonis stands up from the foaming sea. This is the beginning of the first of three vignettes entitled Bayside, Poolside, and Inside, which take place in the remote paradise of Fire Island off the coast of New York—a dreamy, playful, and breezy summer ode to freedom and physical love liberated from shame and stigma.
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What's On
Hamnet Hamnet
Chloé Zhao
Monday, 22. 12. 2025 / 16:00 / Main Hall
Chloé Zhao (Nomadland) imagines how a tragedy from Shakespeare’s real life might have inspired the creation of his timeless masterpiece Hamlet. Starring the exceptional Jessie Buckley and Paul Mescal, the film is a moving story about love, loss, and the healing power of art.
Fiume o morte! Fiume o morte!
Igor Bezinović
Monday, 22. 12. 2025 / 17:30 / Small Hall
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
Father Mother Sister Brother Father Mother Sister Brother
Jim Jarmusch
Monday, 22. 12. 2025 / 18:40 / Main Hall
Three stories, sometimes funny, sometimes sad, about the relationship between parents and their adult children. Jim Jarmusch’s “anti-action film” received the Golden Lion in Venice.