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Animateka 2019

Closing Awards Ceremony of Animateka 2019 Zaključek festivala Animateka 2019

various

Jona/Tomberry
Rosto (Studio Rosto A.D. , Rocketta Film)
The Netherlands, 2005, 11'40''

Borges meets Murnau in a spinning nightmare. And the baby sings: “No, not be scared old bird, to awake and see I am dreaming you”.

Out of Nowhere
Andrej Štular (Produkcija Laute)
Slovenia, 2018, 4'43''

Using the pixilation technique, the film was made on a train journey through the Kazakh Steppe. In this vast area, distances are different than what we are used to. The trip between the former capital of Almaty and today’s capital Astana is 1327 km and takes more than 19 hours.

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What's On

The Room Next Door The Room Next Door

Pedro Almodóvar

Thursday, 24. 07. 2025 / 21:30 / The Ljubljana Castle

Ingrid and Martha were close friends in their youth, but life separated them: Ingrid became a writer, and Martha a war correspondent. After years without contact, they meet again under unusual circumstances… Pedro Almodóvar’s latest creation is a story about the beauty of life and the inevitability of death, full of colour, light, and humour. The film won the Golden Lion in Venice and earned Tilda Swinton a Golden Globe nomination.

The Brutalist The Brutalist

Brady Corbet

Friday, 25. 07. 2025 / 21:30 / The Ljubljana Castle

A monumental epic about a Jewish architect who, in the post-World War II era, comes to grips with the dark side of the American dream. Winner of the Golden Lion for Best Direction in Venice.

Mickey 17 Mickey 17

Bong Joon Ho

Saturday, 26. 07. 2025 / 21:30 / The Ljubljana Castle

Six years after Parasite, Korean director Bong Joon-ho is back with another biting satire (this time set in the distant future) with Robert Pattinson shining in the leading role(s). Its unlikely hero, Mickey Barnes, has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living. »Combining the best parts of Snowpiercer and Okja into something new, this warm and wonderful film suggests that Bong loves people even more than he hates capitalism.« – IndieWire.