The Box Office is open from 10:00 till 19:00 (open for another 03:40, phone: +386 1 239 22 17).
Animateka 2019

Kinotrip presents: Best of the World V (2019) Kinotripov Svetovni jagodni izbor V (2019)

various / 78 min

Matter and Motion
Max Hattler (self-produced)
Hong Kong, 2018, 2'15"

Motion creation, energy transmission, kinetic combustion. Audiovisual collaboration between composer Lux Prima, director Max Hattler, and a group of animators from the School of Creative Media at the City University of Hong Kong. The result is a short but intensive experience combining the visuality of early abstract films with the atmosphere of sci-fi blockbusters.

The Lonely Orbit
Frederic Siegel, Benjamin Morard (Team Tumult)
Switzerland, 2019, 9'22"

Leaving for his dream job, a satellite technician keeps solitude at bay by constantly texting with his old friends. After he neglects his duties, a satellite leaves its orbit which causes the world's network to collapse.   

Purpleboy
Alexandre Siqueira (Bando à Parte/Rainbox Productions/Ambiances… Asbl/Luna Blue Film)
Portugal, France, Belgium, 2019, 13'55"

Oscar is a child germinating in its parent's garden. Its body is developing underground. Nobody knows its biological sex but he wants to be a boy. One day, Oscar gets out of the ground and discovers his female body. After this painful discovery, is his desired identity finally going to be accepted?

Paper or Plastic
Nata Metlukh (self-produced)
USA, Ukraine, 2019, 7'37"

An immigrant comes to a first-world country to paint a mural on the tallest tower. He tries to adapt to the new reality, but xenophobia and odd rules force him to go back.

L'heure de l'ours / And Then the Bear
Agnès Patron (Sacrebleu Productions)
France, 2019, 13'50"

That very night, houses will burn. Men and women will tremble. Hordes of children will come together and howl as they dance alone on the ashes like wild bears. It only takes one shout to wake them all from their slumber!

Coyote
Lorenz Wunderle (Yk Animation Studio)
Switzerland, 2018, 9'55"

A coyote loses its mate and pups in an attack by wolves. Plagued by human emotions, the coyote attempts to process what it has experienced. Alongside grief and delusions, however, savagery gradually escalates.

Warum Schnecken keine Beine haben / Why Slugs Have No Legs
Aline Höchli (Cinéma Copain)
Switzerland, 2019, 10'45"

Slugs have a hard time keeping up with the pace of life in the city of insects. When a financial crisis hits, the industrious bees only see one solution.

Bamboule / Butterboo
Emilie Pigeard (Les Films Du Nord/La Boîte,... Productions)
France, Belgium, 2018, 9'14"

After a “minor” operation at the vets, a young cat starts putting on more and more weight. Her owners start calling her “Butterball” instead of her usual name “Bamboo”. She then gets the nickname “Butterboo”!

Kinodvor. Newsletter.

Join our mailing list and receive details of upcoming films and events!

What's On

Sorry, Baby Sorry, Baby

Eva Victor

Sunday, 26. 10. 2025 / 16:45 / Main Hall

An honest, warm, and surprisingly funny film about how to live with something you can never truly get over. A Sundance Festival sensation, winner of the Best Screenplay award there, and considered one of the best films of the year by numerous critics.

Sold Out

Fiume o morte! Fiume o morte!

Igor Bezinović

Sunday, 26. 10. 2025 / 18:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Maria Maria

Pablo Larraín

Sunday, 26. 10. 2025 / 19:00 / Main Hall

Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.