{"id":8691,"date":"2020-03-27T11:18:43","date_gmt":"2020-03-27T10:18:43","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/kratki-filmi-2-sklop-3\/"},"modified":"2020-03-27T11:32:10","modified_gmt":"2020-03-27T10:32:10","slug":"kratki-filmi-2-sklop-3","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/kratki-filmi-2-sklop-3\/","title":{"rendered":"Evropa na kratko, 2. sklop (2015)"},"content":{"rendered":"<p><strong>Vsaj pu\u0161ke nam \u0161e ostanejo<\/strong> (Tant qu\u2019il nous reste des fusils \u00e0 pompe)<br \/>Francija\u00a02014<br \/>igrani<strong>\u00a0<\/strong><\/p>\n<p><strong>re\u017eija<br \/><\/strong>Caroline Poggi, Jonathan Vinel<br \/><strong>scenarij\u00a0<\/strong>Caroline Poggi, Jonathan Vinel, Fran\u00e7ois Peyroux <br \/><strong>fotografija\u00a0<\/strong>Rapha\u00ebl Vandenbussche<strong> <br \/>monta\u017ea\u00a0<\/strong>Vincent Tricon<strong> <br \/>zvok\u00a0<\/strong>Romain Ozanne<br \/><strong> igrajo\u00a0<\/strong>Lucas Dom\u00e9jean, Na\u00ebl Malassagne, Nicolas Mias<strong> <br \/>produkcija\u00a0<\/strong>Anne Luthaud, G.R.E.C.<strong> <br \/>kontakt\u00a0<\/strong>aluthaud@grec-info.com <br \/><strong>format\u00a0<\/strong>DCP, barvni\/colour <br \/><strong>dol\u017eina<\/strong>\u00a030&#8242;<\/p>\n<p>Toplo je. Nenavadno je, da so ulice tako prazne. Palme umirajo in sli\u0161i se glas pu\u0161k. Joshua si \u017eeli umreti, vendar brata\u00a0Mae\u0308la\u00a0no\u010de pustiti samega. Tedaj spozna tolpo Ledena gora.<\/p>\n<p><strong>Disciplina <\/strong>(Discipline)<strong>\u00a0<br \/><\/strong>\u0160vica\u00a02014<br \/>igrani<strong>\u00a0<\/strong><\/p>\n<p><strong>re\u017eija<\/strong>\u00a0Christophe M. Saber<br \/><strong>scenarij\u00a0<\/strong>Christophe M. Saber<br \/><strong>fotografija\u00a0<\/strong>Denis Jutzeler <br \/><strong>monta\u017ea\u00a0<\/strong>Jonathan Vinel <br \/><strong>zvok\u00a0<\/strong>Zoel Aeschbacher, Aude Sublet <br \/><strong>glasba\u00a0<\/strong>Christian Garcia<br \/> <strong>igrajo\u00a0<\/strong>Adel Ahdy, Nour Gayed, Garance Rohr, Frank Semelet, Florence Quartenoud<br \/><strong>produkcija\u00a0<\/strong>Elena Tatti, Box Productions<br \/><strong>kontakt\u00a0<\/strong>festival@salaudmorisset.com<strong> <br \/><\/strong><strong>format\u00a0<\/strong>DCP, barvni\/colour <br \/><strong>dol\u017eina<\/strong>\u00a012&#8217;00&#8221;<\/p>\n<p>\u00a021.30, \u0161pecerija v \u0161vicarski Lozani. Trgovina je v lasti Egip\u010danov. Ko o\u010deta popade jeza, izgubi potrpljenje in kaznuje svojega neubogljivega otroka. \u0160okirana stranka nemudoma izrazi svoje nestrinjanje. Razpravljanju se pridru\u017eijo \u0161e druge stranke, vsaka poda svoje mnenje in trgovci so popolnoma oblegani.<\/p>\n<p><strong>Disonanca <\/strong>(Dissonance)<br \/>Nem\u010dija\u00a02015<br \/>animirani, igrani<\/p>\n<p><strong>re\u017eija<\/strong>\u00a0Till Nowak <br \/><strong>scenarij\u00a0<\/strong>Till Nowak <br \/><strong>fotografija\u00a0<\/strong>Ivan Robles Mendoza<strong> <br \/>animacija\u00a0<\/strong>Till Nowak, Malte Lauinger <br \/><strong>monta\u017ea\u00a0<\/strong>Till Nowak, Philipp Hahn<strong> <br \/>zvok\u00a0<\/strong>Andreas Radzuweit<strong> <br \/>glasba\u00a0<\/strong>Olaf Taranczewski, Frank Zerban<strong> <br \/>igrajo\u00a0<\/strong>Nina Petri, Roland Schupp, Hannah Heine, Klaus Zehrfeld, Leslie Barany, Mirko Thiele<br \/><strong>produkcija\u00a0<\/strong>Till Nowak, Framebox <br \/><strong>kontakt\u00a0<\/strong>info@framebox.de<strong> <br \/>format\u00a0<\/strong>DCP, barvni\/colour<br \/><strong>dol\u017eina<\/strong>\u00a017&#8242;<\/p>\n<p>Kaj je resni\u010dnost in kaj domi\u0161ljija? Kdo postavlja meje? Nadarjeni pianist igra klavir. Glasbilo odra\u017ea pianistova \u010dustva. Mo\u017e pogre\u0161a svojo h\u010derko, ki mu je ni ve\u010d dovoljeno videti. \u010ce bi mo\u017e \u0161el k zdravniku, bi ta najverjetneje postavil diagnozo psihoze. \u017divi na ulici. Mati je zaskrbljena, ko se njen nekdanji mo\u017e pogreza vse globlje. Kak\u0161en svet je to, ki zari\u0161e nasmeh na njegovem obrazu, v njej pa vzbuja samo strah? H\u010derka nima strahu. Preostalo je samo hrepenenje.<\/p>\n<p><strong>Piknik<\/strong><br \/>Hrva\u0161ka\u00a02015<strong><br \/><\/strong>igrani \u00a0<\/p>\n<p><strong>re\u017eija\u00a0<\/strong>Jure Pavlovi\u0107<strong> <br \/>scenarij\u00a0<\/strong>D\u017eejna Avdi\u0107, Jure Pavlovi\u0107<strong> <br \/>fotografija\u00a0<\/strong>Almmir Faki\u0107<strong> <br \/>monta\u017ea\u00a0<\/strong>Dragan Von Petrovic<strong> <br \/>scenografija\u00a0<\/strong>Emina Sulejmani<strong> <br \/>zvok\u00a0<\/strong>Marko Grgi\u0107, Vladimir Bo\u017ei\u0107<strong> <br \/>igrajo\u00a0<\/strong>Emir Mu\u0161i\u0107, Aleksandar Seksan, Senad Alihod\u017ei\u0107<strong> <br \/>produkcija\u00a0<\/strong>Luka Venturin, Jure Pavlovi\u0107, Sekvenca <br \/><strong>kontakt\u00a0<\/strong>info@sekvenca.hr <br \/><strong>format\u00a0<\/strong>DCP, barvni\/colour <br \/><strong>dol\u017eina<\/strong>\u00a013&#8242;<\/p>\n<p>Sarajevo, prometna konica. Petnajstletni Emir v spremstvu socialnega delavca potuje v kaznilnico Igman na obisk k o\u010detu Safetu in piknik ob koncu tedna. Zaradi gostega prometa zamujata &#8230;\u00a0<\/p>\n<p><strong>A\u00efssa<br \/><\/strong>Francija\u00a02014<br \/>igrani\u00a0<strong>\u00a0<\/strong><\/p>\n<p><strong>re\u017eija\u00a0<\/strong>Cl\u00e9ment Tr\u00e9hin-Lalanne<br \/> <strong>scenarij\u00a0<\/strong>Cl\u00e9ment Tr\u00e9hin-Lalanne <br \/><strong>fotografija\u00a0<\/strong>Romain Le Bonniec<strong> <br \/>monta\u017ea\u00a0<\/strong>Mona-Lise Lanfant<br \/><strong> zvok\u00a0<\/strong>G\u00e9rard Mailleau, Mathieu Vigouroux, Matthieu Langlet<strong> <br \/>igrajo\u00a0<\/strong>Manda Tour\u00e9, Bernard Campan<strong> <br \/>produkcija\u00a0<\/strong>Karine Blanc, Pauline Seigland, Michel Tavares, Takami Productions<br \/><strong>kontakt\u00a0<\/strong>distribution@takami-productions.com<br \/><strong>format\u00a0<\/strong>DCP, barvni\/colour<br \/><strong>dol\u017eina<\/strong>\u00a08&#8242;<\/p>\n<p>A\u00efssa, mlada Kongovka, ilegalno \u017eivi v Franciji in mora lagati o svoji starosti, da bi lahko ostala na francoskem ozemlju. Skozi hladno preiskovalen objektiv zdravstvenega pregleda re\u017eiser Trehin-Lalanne raziskuje globoko osebne implikacije teritorialnih meja, ki narekujejo posameznikovo legalnost.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tekmovalni program<\/p>\n","protected":false},"featured_media":8692,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/8691"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/8692"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=8691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}