{"id":7981,"date":"2020-03-27T13:28:50","date_gmt":"2020-03-27T12:28:50","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/venezia-70-future-reloaded\/"},"modified":"2020-03-27T13:32:17","modified_gmt":"2020-03-27T12:32:17","slug":"venezia-70-future-reloaded","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/venezia-70-future-reloaded\/","title":{"rendered":"Venezia 70 \u2013 Future Reloaded"},"content":{"rendered":"

Ob 70. obletnici Bene\u0161kega filmskega festivala je bilo 70 re\u017eiserjev z vsega sveta povabljenih, da posnamejo 60- do 90-sekundni film, s katerim bi ob popolni ustvarjalni svobodi obele\u017eili ta dogodek. Med filmskimi ustvarjalci, ki so sprejeli povabilo, so svetovno znani mojstri, uveljavljeni re\u017eiserji in mladi, ki so \u017ee imeli prilo\u017enost dokazati svoj talent. Vsak izmed njih je v zadnjih dvajsetih letih na festivalu sodeloval vsaj enkrat. Future Reloaded <\/strong>je skupinski poklon Bene\u0161kemu filmskemu festivalu in hkrati razmislek o prihodnosti filma skozi osebno perspektivo vsakega posameznega re\u017eiserja.<\/p>\n

Karim A\u00efnouz, O homem que desarmava bombas<\/strong>, 93\u201d. John Akomfrah, Three Degrees Of Proximity To The Disaster<\/strong>, 106\u201d. Hala Alabdalla, brez naslova<\/em>, 106\u201d. Bernardo Bertolucci, Scarpette rosse<\/strong>, 100\u201d. Catherine Breillat, brez naslova<\/em>, 98\u201d. J\u00falio Bressane, brez naslova<\/em>, 100\u201d. Rama Burshtein, brez naslova<\/em>, 94\u201d. Antonio Capuano, brez naslova<\/em>, 116\u201d. Peter Ho-sun Chan, The Future Was in Their Eyes<\/strong>, 105\u201d. Isabel Coixet, brez naslova<\/em>, 70\u201d. Amiel Courtin-Wilson, brez naslova<\/em>, 97\u201d. Jan Cvitkovi\u010d, I Was a Child<\/strong>, 104\u201d. Claire Denis, brez naslova<\/em>, 154\u201d. Lav Diaz, The Firefly<\/strong>, 113\u201d. Amit Dutta, brez naslova<\/em>, 135\u201d. Atom Egoyan, Butterfly<\/strong>, 84\u201d. Aleksej Fedor\u010denko, Atavism<\/strong>, 104\u201d. Davide Ferrario, Lighthouse<\/strong>, 102\u201d. Fr\u00e9d\u00e9ric Fonteyne, The Future Is Not Ours to See<\/strong>, 78\u201d. James Franco, brez naslova<\/em>, 78\u201d. Llu\u00eds Galter, brez naslova<\/em>, 97\u201d. Haile Gerima, brez naslova<\/em>, 94\u201d. Aleksei German Jr., 5000 Days Ahead<\/strong>, 95\u201d. Amos Gitai, brez naslova<\/em>, 91\u201d. Monte Hellman, brez naslova<\/em>, 100\u201d. Hong Sang-Soo, 50:50<\/strong>, 96\u201d. Beno\u00eet Jacquot, brez naslova<\/em>, 72\u201d. Jia Zhangke, brez naslova<\/em>, 131\u201d. Semih Kaplano\u01e7lu, Devran<\/strong>, 97\u201d. Shekhar Kapur, brez naslova<\/em>, 141\u201d. Marlen Hucijev, In Perpetuum Infinitum<\/strong>, 120\u201d. Abbas Kiarostami, brez naslova<\/em>, 88\u201d. Kim Ki-Duk, My Mother<\/strong>, 94\u201d. Yorgos Lanthimos, Necktie<\/strong>, 107\u201d. Pablo Larra\u00edn, brez naslova<\/em>, 79\u201d. Tobias Lindholm, The Hit<\/strong>, 97\u201d. Guido Lombardi, Senza fine<\/strong>, 118\u201d. Jazm\u00edn L\u00f3pez, Narcisa<\/strong>, 119\u201d. Mil\u010do Man\u010devski, Thursday<\/strong>, 95\u201d. Samuel Maoz, The End<\/strong>, 101\u201d. Pietro Marcello, brez naslova<\/em>, 110\u201d. Franco Maresco, L\u2019ultimo leone<\/strong>, 95\u201d. Brillante Mendoza, Ang Kamera<\/strong>, 92\u201d. Salvatore Mereu, Transumanza<\/strong>, Celina Murga, brez naslova<\/em>, 95\u201d. Amir Naderi, Don\u2019t Give Up<\/strong>, 96\u201d. Shirin Neshat, brez naslova<\/em>, 114\u201d. Ermanno Olmi, La moviola<\/strong>, 98\u201d. Nicol\u00e1s Pereda, Matrimonio<\/strong>, 92\u201d. Franco Piavoli, brez naslova<\/em>, 92\u201d. Giuseppe Piccioni, brez naslova<\/em>, 133\u201d. Michele Placido, Yorich\u2019s Speech<\/strong>, 94\u201d. Edgar Reitz, brez naslova<\/em>, 101\u201d. Jo\u00e3o Pedro Rodrigues, Allegoria della Prudenza<\/strong>, 97\u201d. Walter Salles, brez naslova<\/em>, 157\u201d. Paul Schrader, brez naslova<\/em>, 96\u201d. Ulrich Seidl, Akuna Matata<\/strong>, 99\u201d. Todd Solondz, 3013<\/strong>, 184\u201d. Sion Sono, My Future Is Cinema\u2019s Future. Cinema\u2019s Future Is My Future<\/strong>, 81\u201d. Jean-Marie Straub, brez naslova<\/em>, 97\u201d. Tusi Tamasese, Sound\u2026 and Image<\/strong>, 59\u201d. Tariq Teguia, Le cin\u00e9ma<\/strong>, 74\u201d. Pablo Trapero, Cinema Is All Over<\/strong>, 127\u201d. Athina Rachel Tsangari, 24 Frames Per Century<\/strong>, 154\u201d. Shinya Tsukamoto, Abandoned Monster<\/strong>, 115\u201d. Teresa Villaverde, Amapola<\/strong>, 106\u201d. Wang Bing, brez naslova<\/em>, 94\u201d. Apichatpong Weerasethakul, brez naslova<\/em>, 97\u201d. Yonfan, Rhytm<\/strong>, 95\u201d. Krzysztof Zanussi, brez naslova<\/em>, 105\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ob 70. obletnici Bene\u0161kega filmskega festivala je bilo 70 re\u017eiserjev z vsega sveta povabljenih, da posnamejo 60- do 90-sekundni film, s katerim bi ob popolni ustvarjalni svobodi obele\u017eili ta dogodek. Med filmskimi ustvarjalci, ki so sprejeli povabilo, so svetovno znani mojstri, uveljavljeni re\u017eiserji in mladi, ki so \u017ee imeli prilo\u017enost dokazati svoj talent. Vsak izmed njih je v zadnjih dvajsetih letih na festivalu sodeloval vsaj enkrat. Future Reloaded je skupinski poklon Bene\u0161kemu filmskemu festivalu in hkrati razmislek o prihodnosti filma skozi osebno perspektivo vsakega posameznega re\u017eiserja.<\/p>\n","protected":false},"featured_media":0,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/7981"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=7981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}