{"id":36341,"date":"2020-03-30T10:48:17","date_gmt":"2020-03-30T08:48:17","guid":{"rendered":"http:\/\/www.kinodvor.org\/film\/vzhodnoevropski-in-srednjeevropski-tekmovalni-program-i\/"},"modified":"2020-03-30T11:02:14","modified_gmt":"2020-03-30T09:02:14","slug":"vzhodnoevropski-in-srednjeevropski-tekmovalni-program-i","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/vzhodnoevropski-in-srednjeevropski-tekmovalni-program-i\/","title":{"rendered":"Tekmovalni program I (2017)"},"content":{"rendered":"

Celica \/ The Box<\/strong>
Du\u0161an Kastelic (Bugbrain\/RTVSLO)
Slovenija, 2016, digital, 12’13\u201d<\/p>\n

\u017divljenje v celici je dolgo\u010dasno in turobno \u2013 dokler nekega dne sredi prostora ne vzklije nov de\u010dek! Otrok je povsem druga\u010den od drugih naseljencev celice, v nasprotju z bitji s ploskimi glavami je namre\u010d sre\u010den, \u017eivahen in radoveden. Ko odra\u0161\u010da, gre ploskoglavim sosedom \u010dedalje bolj na \u017eivce. In potem jim neko\u010d dobesedno zraste \u010dez glavo.<\/p>\n

Samo plavati \/ Samo Plivanje \/ Just Swimming<\/strong>
Darko Vida\u010dkovi\u0107 (Bonobostudio)
Hrva\u0161ka, 2017, digital, 9’40”<\/p>\n

Sko\u010dimo iz sveta vsakdanjega dogajanja in se potopimo globoko v zavest, v svet ve\u010dnih, \u010distih oblik. Vrnimo se k sebi, vrnimo se domov.<\/p>\n

Zadnja postaja: Luna \/ Last Stop is The Moon<\/strong>
Birute Sodeikaite (Likaon\/Art Shot\/NinA)
Poljska, Litva, 2017, digital, 8\u201938\u201d<\/p>\n

Zgodba o deklici, ki se ob spopadanju z boleznijo zate\u010de v domi\u0161ljijo: bolezen si zami\u0161lja kot leva in sebe kot samoroga. Tako gre skozi razli\u010dne stopnje sprejemanja.<\/p>\n

Amalimbo<\/strong>
Juan Pablo Libossart (Fasad ab\/Fork film)\u00a0\u00a0\u00a0
\u0160vedska, Estonija, Danska, Bolivija, 2016, digital, 15\u201922\u201d<\/p>\n

Amalimbo je zgodba o petletni deklici Tipuani, ki v koprne\u010di \u017eelji, da bi spet videla nedavno preminulega o\u010deta, poskusi prestopiti \u00bbna drugo stran\u00ab, pri tem pa se znajde v vmesnem svetu. Kratka zgodba, postavljena v nedolo\u010dljiv kraj v nedolo\u010dljivi prihodnosti.<\/p>\n

Po ob\u010dutku \/ Dead Reckoning<\/strong>
Paul Wenninger, Susan Young (Kabinett ad Co.)
Avstrija, 2017, digital, 2\u201947\u201d<\/p>\n

Po ob\u010dutku nas popelje po dunajskem bulvarju Ringstrasse, od tam pa naprej po mestu: od padca do hrane in nazadnje do strani\u0161\u010da. Smrt je vselej tam, vselej korak pred nami. Film sledi krogu \u017eivljenja, ritmu mesta.<\/p>\n

Pobeg \/ Ucieczka \/ The Escape<\/strong>
Jaros\u0142aw Konopka (Anima-Pol Film Studio)
Poljska, 2017, digital, 15\u2019<\/p>\n

\u017denska in otrok \u2013 \u010dloveka, ki ju re\u0161uje spominjanje. Njun svet je do\u017eivel apokalipti\u010dno uni\u010denje. Podobe travmati\u010dnih preteklih dogodkov vplivajo na njuno dojemanje resni\u010dnosti. Preganja ju nenehen ob\u010dutek negotovosti in nevarnosti. \u017diva sta, a kot bi bila mrtva. \u017divita samo v \u010dlove\u0161kem spominu, v podobah, ki s \u010dasom bledijo. <\/p>\n

Rde\u010da kapica redux \/ Crvenkapica Redux \/ Red Riding Hood Redux<\/strong>
Danijel \u017de\u017eelj (Zagreb Film)
Hrva\u0161ka, 2017, digital, 11\u201953\u201d<\/p>\n

Opoldansko sonce \u017ege po postindustrijski pokrajini. Rde\u010da kapica se odpravi k babici. Na poti gre skozi opu\u0161\u010deno tovarni\u0161ko poslopje, potem pa naprej v temni gozd. Volk jo zvabi na cveto\u010d travnik in nato odide. Rde\u010da kapica prispe k babici s \u0161opkom ro\u017e, ki jih je pravkar nabrala.<\/p>\n

Celica \/ The Box<\/strong><\/p>\n

Du\u0161an Kastelic (Bugbrain\/RTVSLO)<\/p>\n

Slovenija\/Slovenia, 2016, digital, 12’13\u201d<\/p>\n

\u017divljenje v celici je dolgo\u010dasno in turobno \u2013 dokler nekega dne sredi prostora ne vzklije nov de\u010dek! Otrok je povsem druga\u010den od drugih naseljencev celice, v nasprotju z bitji s ploskimi glavami je namre\u010d sre\u010den, \u017eivahen in radoveden. Ko odra\u0161\u010da, gre ploskoglavim sosedom \u010dedalje bolj na \u017eivce. In potem jim neko\u010d dobesedno zraste \u010dez glavo.<\/p>\n

Life in the Box is boring and miserable. Until one day when a new baby boy starts to grow in the middle of the Box! This baby is very different from other flat-headed inhabitants of the Box. He’s happy, lively and curious. As the baby grows bigger and bigger, the flat-headed neighbours are becoming more and more annoyed with him. Until one day he literally grows over their heads.<\/p>\n

Samo plavati \/ Samo Plivanje<\/strong> \/ Just Swimming<\/strong><\/p>\n

Darko Vida\u010dkovi\u0107 (Bonobostudio)<\/p>\n

Hrva\u0161ka\/Croatia, 2017, digital, 9’40”<\/p>\n

Sko\u010dimo iz sveta vsakdanjega dogajanja in se potopimo globoko v zavest, v svet ve\u010dnih, \u010distih oblik. Vrnimo se k sebi, vrnimo se domov.<\/p>\n

Let’s dive from the everyday world of events into the deep waters of consciousness, to the world of eternal, pure forms. Let’s return to ourselves, return home.<\/p>\n

Zadnja postaja: Luna \/ Last Stop is The Moon<\/strong><\/p>\n

Birute Sodeikaite (Likaon\/Art Shot\/NinA)<\/p>\n

Poljska, Litva\/Poland, Lithuania, 2017, digital, 8\u201938\u201d<\/p>\n

Zgodba o deklici, ki se ob spopadanju z boleznijo zate\u010de v domi\u0161ljijo: bolezen si zami\u0161lja kot leva in sebe kot samoroga. Tako gre skozi razli\u010dne stopnje sprejemanja.<\/p>\n

A story of a girl who is trying to deal with her illness inside her imagination. Imagining the illness as a Lion and herself as a Unicorn, she goes through different stages of acceptance.<\/p>\n

Amalimbo<\/strong><\/p>\n

Juan Pablo Libossart (Fasad ab\/Fork film) <\/p>\n

\u0160vedska, Estonija, Danska, Bolivija\/Sweden, Estonia, Denmark, Bolivia, 2016, digital, 15\u201922\u201d<\/p>\n

Amalimbo je zgodba o petletni deklici Tipuani, ki v koprne\u010di \u017eelji, da bi spet videla nedavno preminulega o\u010deta, poskusi prestopiti \u00bbna drugo stran\u00ab, pri tem pa se znajde v vmesnem svetu. Kratka zgodba, postavljena v nedolo\u010dljiv kraj v nedolo\u010dljivi prihodnosti.<\/p>\n

Amalimbo is the story of Tipuana, a five year-old girl who experiences limbo when she tries to pass to \u201cthe other side\u201d in her desperate urge to reunite with her recently deceased father. It is a short story set in an undefined place in an undefined future.<\/p>\n

Po ob\u010dutku \/ Dead Reckoning<\/strong><\/p>\n

Paul Wenninger, Susan Young (Kabinett ad Co.)<\/p>\n

Avstrija\/Austria, 2017, digital, 2\u201947\u201d<\/p>\n

Po ob\u010dutku<\/em> nas popelje po dunajskem bulvarju Ringstrasse, od tam pa naprej po mestu: od padca do hrane in nazadnje do strani\u0161\u010da. Smrt je vselej tam, vselej korak pred nami. Film sledi krogu \u017eivljenja, ritmu mesta.<\/p>\n

\u201cDead Reckoning\u201d is a ride around Vienna\u2019s Ringstrasse boulevard and from there to go into the city, to fall, to eat, and finally to end up on the toilet. Death is always there, always in front of us. The film follows the cycle of life, the rhythm of the city. <\/p>\n

Pobeg \/ Ucieczka \/ The Escape<\/strong><\/p>\n

Jaros\u0142aw Konopka (Anima-Pol Film Studio)<\/p>\n

Poljska\/Poland, 2017, digital, 15\u2019<\/p>\n

\u017denska in otrok \u2013 \u010dloveka, ki ju re\u0161uje spominjanje. Njun svet je do\u017eivel apokalipti\u010dno uni\u010denje. Podobe travmati\u010dnih preteklih dogodkov vplivajo na njuno dojemanje resni\u010dnosti. Preganja ju nenehen ob\u010dutek negotovosti in nevarnosti. \u017diva sta, a kot bi bila mrtva. \u017divita samo v \u010dlove\u0161kem spominu, v podobah, ki s \u010dasom bledijo. <\/p>\n

A woman and a child \u2013 people saved by remembrance. Their world has disappeared forever in apocalyptic annihilation. Afterimages of those traumatic events interfere with the perception of reality. Characters are haunted by a constant sense of insecurity and danger. They exist, but as if they were dead. They only live in human memory, in the images blurred by time.<\/p>\n

Rde\u010da kapica redux \/ Crvenkapica Redux \/ Red Riding Hood Redux<\/strong><\/p>\n

Danijel \u017de\u017eelj (Zagreb Film)<\/p>\n

Hrva\u0161ka\/Croatia, 2017, digital, 11\u201953\u201d<\/p>\n

Opoldansko sonce \u017ege po postindustrijski pokrajini. Rde\u010da kapica se odpravi k babici. Na poti gre skozi opu\u0161\u010deno tovarni\u0161ko poslopje, potem pa naprej v temni gozd. Volk jo zvabi na cveto\u010d travnik in nato odide. Rde\u010da kapica prispe k babici s \u0161opkom ro\u017e, ki jih je pravkar nabrala.<\/p>\n

The midday sun is frying the post-industrial landscape. Little Red Riding Hood is on her way to her grandmother\u2019s cottage. After entering an abandoned factory building she continues into a dark forest. A Wolf leads her to a flower meadow and then leaves. Red Riding Hood arrives eventually at her grandmother\u2019s cottage carrying a bunch of flowers she has just picked. <\/p>\n","protected":false},"excerpt":{"rendered":"

Celica \/ The BoxDu\u0161an Kastelic (Bugbrain\/RTVSLO)Slovenija, 2016, digital, 12’13\u201d \u017divljenje v celici je dolgo\u010dasno in turobno \u2013 dokler nekega dne sredi prostora ne vzklije nov de\u010dek! Otrok je povsem druga\u010den od drugih naseljencev celice, v nasprotju z bitji s ploskimi glavami je namre\u010d sre\u010den, \u017eivahen in radoveden. Ko odra\u0161\u010da, gre ploskoglavim sosedom \u010dedalje bolj na<\/p>\n","protected":false},"featured_media":36342,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/36341"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/36342"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=36341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}