{"id":2212,"date":"2020-03-27T12:43:04","date_gmt":"2020-03-27T11:43:04","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/fokus-na-finsko-v-sodobni-finski-kratki-igrani-dokumentarni-in-eksperimentalni-film-1\/"},"modified":"2020-03-27T13:02:12","modified_gmt":"2020-03-27T12:02:12","slug":"fokus-na-finsko-v-sodobni-finski-kratki-igrani-dokumentarni-in-eksperimentalni-film-1","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/fokus-na-finsko-v-sodobni-finski-kratki-igrani-dokumentarni-in-eksperimentalni-film-1\/","title":{"rendered":"Fokus na Finsko V: Sodobni finski kratki igrani, dokumentarni in eksperimentalni film 1"},"content":{"rendered":"<p>\u00a0<strong>NAU\u010cENO NA PAMET \/ SYD\u00c4MEEN K\u00c4TKETTY \/ LEARNED BY\u00a0HEART<\/strong><\/p>\n<p>Marjut Rimminen, P\u00e4ivi Takala (Soundsgood Productions Oy) Finska\/Finland, 2007, Beta SP,\u00a030&#8242;<\/p>\n<p>Finsko je druga svetovna vojna pustila v\u00a0shizofrenem stanju. Narod je pre\u017eivel dve vojni, dr\u017eava je ohranila samostojnost, a uradno je bila pora\u017eenka. O\u00a0vojni je bilo te\u017eko govoriti. Povojnim otrokom so se njihovi star\u0161i zdeli odtujeni, avtoritarni in zastra\u0161ujo\u010di. \u0160ele \u0161estdeseta leta so dru\u017ebo osvobodila in odprla njena okna v\u00a0zunanji\u00a0svet.<\/p>\n<p>Finland emerged from WWII in a schizophrenic state. The nation had survived two wars with her independence intact, but had officially come out on the losing side. It was hard to talk about the war. To post-war children, their parents seemed distant, authoritarian, frightening. It took the sixties to free the society and to open windows to the outside\u00a0world.<\/p>\n<p><strong>RIBA \/ KALA \/ FISH<\/strong><\/p>\n<p>Jonathan Davies (Vanilla Productions Ltd.) Finska\/Finland, 2003, 35mm,11&#8217;30&#8221;<\/p>\n<p>Zgodba o\u00a0ribi \u2026<\/p>\n<p>The story of a fish\u2026<\/p>\n<p><strong>\u010cE PADEM \/ JOS KAADUN \/ IF I\u00a0FALL<\/strong><\/p>\n<p>Hannaleena Hauru (TAMK Tampere, School of Art and Media) Finska\/Finland, 2007, 35mm,\u00a013&#8242;<\/p>\n<p>Mlado dekle Kaarina dela na \u017eagi. Ves \u010das pada, pa tega nih\u010de ne\u00a0opazi.<\/p>\n<p>Kaarina is a young woman working in a Finnish sawmill. She&#8217;s\u00a0repetitively falling down without anyone noticing\u00a0her.<\/p>\n<p><strong>OPTI\u010cNI ZVOK \/ OPTINEN \u00c4\u00c4NI \/ OPTICAL SOUND<\/strong><\/p>\n<p>Mika Taanila (Kinotar Oy) Finska\/Finland, 2005, 35mm,\u00a05&#8242;<\/p>\n<p>Kratki film je adaptacija pesmi kanadske skupine The User z\u00a0nasovom The Symphony #2 for Dot Matrix Printers. Zastarela pisarni\u0161ka tehnologija se spremeni v\u00a0futuristi\u010dna glasbila. Film je omamna me\u0161anica \u010dudovite fotografije, zamazanih posnetkov varnostne kamere in grobe animacije, fotokopirane neposredno na filmski trak brez uporabe kamere.<\/p>\n<p>A\u00a0short film based on The Symphony #2 for Dot Matrix Printers by the Canadian group The User. Obsolete office technology transforms into musical instruments of the future. The film is a haunting mix of beautiful cinematography, dirty security camera footage and rough animation photocopied straight onto clear film without camera.<\/p>\n<p><strong>CESTARJI \/ KESTOMERKITSIJ\u00c4T \/ ROADMARKERS<\/strong><\/p>\n<p>Juho Kuosmanen (UIAH Helsinki) Finska\/Finland, 2007, digiBeta,\u00a018&#8242;<\/p>\n<p>Tri osebe delajo na zaledeneli cesti. Jesen je tak\u0161na, kot bi bil svet na robu uni\u010denja. Helvi bi najraje pobegnila, pa ne ve kam. Rekonen se je na smrt zaljubil vanjo. Stroji besnijo in kolegi ga zbadajo. To je svet, kjer stavke prekinja tru\u0161\u010d, nasilje pa je na\u010din izra\u017eanja \u010dustev.<\/p>\n<p>Three people work on a frosty road. The autumn feels as if the world is about to come to an end. Helvi would want to get away from it all if she only knew where. Rekonen has miserably fallen for her. The machines keep roaring, team-mates keep teasing. A\u00a0world where sentences are cut in half and violence is but a way to express emotions.<\/p>\n<p><strong>VELIKA PRI\u010cAKOVANJA \/ HIGH HOPES<\/strong><\/p>\n<p>Mazdak Nassir (UIAH Helsinki) Finska\/Finland, 2007, digiBeta, 13&#8217;50&#8221;<\/p>\n<p>Zgodba o\u00a0izumiteljskem paru in njuni viziji, da bi otroka nau\u010dila leteti.<\/p>\n<p>A\u00a0tale about an inventor couple and their obscured vision to raise a child to\u00a0fly.<\/p>\n<p><strong>6778<\/strong><\/p>\n<p>Pekka Sassi Finska\/Finland, 2007, miniDV, 1&#8217;50&#8221;<\/p>\n<p>Medtem ko se na platnu nizajo \u0161tevilke, vidimo, da ena manjka.<\/p>\n<p>As the numbers scroll up the screen, one of the them is missing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0NAU\u010cENO NA PAMET \/ SYD\u00c4MEEN K\u00c4TKETTY \/ LEARNED BY\u00a0HEART Marjut Rimminen, P\u00e4ivi Takala (Soundsgood Productions Oy) Finska\/Finland, 2007, Beta SP,\u00a030&#8242; Finsko je druga svetovna vojna pustila v\u00a0shizofrenem stanju. Narod je pre\u017eivel dve vojni, dr\u017eava je ohranila samostojnost, a uradno je bila pora\u017eenka. O\u00a0vojni je bilo te\u017eko govoriti. Povojnim otrokom so se njihovi star\u0161i zdeli odtujeni,<\/p>\n","protected":false},"featured_media":2213,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/2212"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/2213"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=2212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}