{"id":2107,"date":"2020-03-27T12:43:08","date_gmt":"2020-03-27T11:43:08","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/animateka-2009-tekmovalni-program-iv\/"},"modified":"2020-03-27T13:02:11","modified_gmt":"2020-03-27T12:02:11","slug":"animateka-2009-tekmovalni-program-iv","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/animateka-2009-tekmovalni-program-iv\/","title":{"rendered":"Tekmovalni program IV (2009)"},"content":{"rendered":"

\u00a0 TRI NOTE ZA KLARINET \/ TROIS NOTES DE CLARINETTE \/ THREE NOTES FOR CLARINET<\/strong><\/p>\n

Anne Baillod (Ivanko films) \u0160vica\/Switzerland, 2008, 35mm,\u00a06′<\/p>\n

Glasba na notnih straneh, ki se obra\u010dajo v\u00a0vetru, uvede film in prebudi raznolike elemente, ki odrecitirajo pesem Nicolasa Bouviera. Potovanje se kon\u010da zgodaj zjutraj nekje v\u00a0Tabrizu.<\/p>\n

The film begins on a musical score whose pages are turned by the wind and which brings to life various elements which will narrate the poem by Nicolas Bouvier. The voyage ends in Tabriz in the early morning\u00a0hours.<\/p>\n

MORSKA DEKLICA IN RIBI\u010c \/ A\u00a0SELL\u0150 \u00c9S A\u00a0HAL\u00c1SZ \/ THE MERMAID AND THE FISHERMAN<\/strong><\/p>\n

Kinga Rofusz (MA-RA Film) Mad\u017earska\/Hungary, 2009, Beta SP,\u00a010′<\/p>\n

Morska deklica popolnoma spremeni ribi\u010devo obi\u010dajno \u017eivljenje.<\/p>\n

A\u00a0mermaid completely changes a fisherman’s\u00a0ordinary\u00a0life.<\/p>\n

EX PASSU<\/strong><\/p>\n

Anka Ko\u010devar (ALU Ljubljana) Slovenija\/Slovenia, 2009, digiBeta,\u00a04′<\/p>\n

Film je, bolj kot pripoved, pesem-\u0161epet o\u00a0\u017eitju in so\u017eitju\u00a0\u2026<\/p>\n

More than a narrative, the film is a poem-whisper about life and living together\u2026<\/p>\n

LILI<\/strong><\/p>\n

Riho Unt (O\u00dc Nukufilm) Estonija\/Estonia, 2008, 35mm, 14’15”<\/p>\n

Smrtno ranjeni vojak in gru\u010da la\u010dnih podgan i\u0161\u010dejo odgovor na vpra\u0161anje: \u00bbKdo je Lili Marleen?\u00ab\u00a0\u2013 spomin na prvo ljubezen preteklega \u010dasa ali prvi obisk pri prostitutki? Lili ni le neznana junakinja pesmi. Vsak vojak ima svojo Lili, pa naj je to prva ljubezen, prostitutka ali zgolj fantazma.<\/p>\n

A\u00a0mortally wounded soldier and a bunch of hungry rats from the battlefield try to find an answer to the question \u201cWho is Lili Marleen?\u201d, is it a memory of the first love of passed times or the first intercourse with a prostitute? Lili is not only a distant heroine from a song. Every soldier has his own Lili, whether she is a first love, a prostitute or simply a phantasm.<\/p>\n

o68<\/strong><\/p>\n

Lia Avstrija\/Austria, 2008, Beta SP, 6′<\/p>\n

Rezultat najnovej\u0161ega sodelovanja Lie in @c se iz strogo vizualnega vra\u010da v\u00a0glasbeni prostor. Kompozicija i\u0161\u010de pribli\u017eek minimalizmu 20.\u00a0stoletja, tako v\u00a0tonskih kot formalnih vidikih. Ta konceptualni pristop se izte\u010de v\u00a0reducirano paleto barv in form ter sinhronizacijo kompozicije z\u00a0udarci metronoma.<\/p>\n

The current @c and Lia’s\u00a0collaboration is crossing over from the strictly visual field and stepping back into the musical front. The composition searches for a proximity to 20th century minimalism, in tonal and formal aspects. This conceptual approach led to the reduced palette of colors and forms, syncing the composition to the ticking of a metronome.<\/p>\n

ZALIV \/ ZATOKA \/ BAY<\/strong><\/p>\n

Adela Kaczmarek (ASP Krakow) Poljska\/Poland, 2008, Beta SP, 14’25”<\/p>\n

V\u00a0mali obmorski vasici se pojavi nerazlo\u017eljiv fenomen. Morje naplavlja na obalo neznano \u0161krlatno snov. Nasi\u010deni zrak omamlja va\u0161\u010dane in jih sili v\u00a0prav nenavadno iskanje.<\/p>\n

In a small village by the sea side an inexplicable phenomenon occurs. Volumes of purple matter are flowing from the water. Saturated air fascinates and urges the villagers to undertake an uncommon seeking.<\/p>\n

MEHANSKA PRAVLJICA \/ MASCHINENM\u00c4RCHEN \/ MACHINE FAIRY\u00a0TALE<\/strong><\/p>\n

Michael Ammer (UaK Vienna) Avstrija\/Austria, 2008, digiBeta,\u00a09’40”<\/p>\n

V\u00a0filmu o\u00a0na\u0161em odnosu do strojev tr\u010dita svetova, ki sta na prvi pogled tako razli\u010dna\u00a0\u2013 svet sen\u010dnih lutk in svet tehnologije. Uporabljena tehnika je podobna tehniki sen\u010dnih lutk: liki so izrezani iz papirja in projicirani na zadnjo stran papirnatega zaslona. Iz posameznih fotografij, posnetih s\u00a0sprednje strani, je nastal\u00a0film.<\/p>\n

The film is about our relation to machines. The worlds that appear to be different at first sight\u00a0\u2013 the world of shadow play and the world of technology\u00a0\u2013 collide. The technique resembles that used in shadow play: The figures were created as paper cut-outs and projected on the back side of a paper screen. Single pictures taken from the front later merged into a\u00a0film.<\/p>\n

MAMA<\/strong><\/p>\n

G\u00e9za M. T\u00f3th (KEDD Animation Studio) Mad\u017earska\/Hungary, 2009, 35mm,\u00a09’20”<\/p>\n

Zgodba o\u00a0krogu \u00bbobe\u0161anja\u00ab.<\/p>\n

A\u00a0tale of a worldwide \u00bbhanging out\u00ab.<\/p>\n

V\u00a0DE\u017dELI GLAV \/ AU PAYS DES T\u00caTES \/ LAND OF THE\u00a0HEADS<\/strong><\/p>\n

C\u00e9dric Louis, Claude Barras (H\u00e9lium Films\/NFB Canada\/TSR, T\u00e9l\u00e9vision Suisse Romande\/SRG SSR id\u00e9e Suisse) \u0160vica, Kanada\/ Switzerland, Canada, 2009, 35mm,\u00a05’55”<\/p>\n

Na gradu imajo te\u017eave. Nevesta je izgubila glavo, njen nesre\u010dni mo\u017e pa misli le na svojo harmoniko. \u017dena ga po\u0161lje poiskat svoj novi, mlaj\u0161i\u00a0obraz.<\/p>\n

There’s\u00a0a crisis in the castle. The bride has lost her head, while her miserable husband only has eyes for his accordion. The woman orders her man to go in search of a new, younger\u00a0face.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 TRI NOTE ZA KLARINET \/ TROIS NOTES DE CLARINETTE \/ THREE NOTES FOR CLARINET Anne Baillod (Ivanko films) \u0160vica\/Switzerland, 2008, 35mm,\u00a06′ Glasba na notnih straneh, ki se obra\u010dajo v\u00a0vetru, uvede film in prebudi raznolike elemente, ki odrecitirajo pesem Nicolasa Bouviera. Potovanje se kon\u010da zgodaj zjutraj nekje v\u00a0Tabrizu. The film begins on a musical score<\/p>\n","protected":false},"featured_media":2108,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/2107"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/2108"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=2107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}