{"id":2101,"date":"2020-03-27T12:43:09","date_gmt":"2020-03-27T11:43:09","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/animateka-2009-tekmovalni-program-i\/"},"modified":"2020-03-27T13:02:11","modified_gmt":"2020-03-27T12:02:11","slug":"animateka-2009-tekmovalni-program-i","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/animateka-2009-tekmovalni-program-i\/","title":{"rendered":"Tekmovalni program I (2009)"},"content":{"rendered":"

\u00a0 DOMOVINA \/ HOMELAND<\/strong><\/p>\n

Juan de Dios Marfil Atienza (FAMU Prague) \u010ce\u0161ka, \u0160panija\/Czech Republic, Spain, 2009, Beta SP,\u00a06’25”<\/p>\n

Kjer je volja, je tudi pot.<\/p>\n

Where there’s\u00a0a will there’s\u00a0a way.<\/p>\n

TRI SESTRE IN ANDREJ \/ THREE SISTERS AND ANDREY<\/strong><\/p>\n

Boris Despodov, Andrey Paunov (Act-Pik\/Nico Grein&Sebastian Leutner Filmproduktion GbR) Bolgarija, Nem\u010dija\/Bulgaria,Germany, 2008, 35mm,\u00a014′<\/p>\n

Leta te\u010dejo. Tri sestre A. P. \u010cehova so pre\u017eivele tok \u010dasa\u00a0\u2013 vse re\u017eime, revolucije, sanje in iluzije. Njihova usoda pa se obrne, ko v\u00a0novembrsko nebo zajadra komar. Animacija, v\u00a0kateri sli\u010dico za sli\u010dico igranega filma prekrije ro\u010dna risba, je predelava ruske klasike v\u00a0gibljivih slikah.<\/p>\n

Years have passed. Chekhov’s\u00a0Three Sisters have survived through time\u00a0\u2013 regimes, revolutions, illusions, and dreams. Their fate is about to change when a mosquito enters the November sky. Hand drawn frame by frame over live action, this animation is a motion painting remix of a Russian classic.<\/p>\n

HI\u0160ICA \/ V\u00c4IKE MAJA \/ SMALL HOUSE<\/strong><\/p>\n

Kristjan Holm (EKA Tallinn) Estonija\/Estonia, 2008, Beta SP,\u00a06’15”<\/p>\n

Vsaki\u010d, ko le\u017ee v\u00a0posteljo in ugasne lu\u010di, ga nekaj nervozno opomni: strani\u0161\u010dno \u0161koljko si pustil dvignjeno, copati niso poravnani, iz pipe kaplja \u2026 Na \u017ealost pa mala hi\u0161ica, kjer se vse skupaj odvija, stoji na obali. Kak\u0161na je videti s\u00a0temnega morja? Vas ne spominja na \u2026 Res, spominja. In katastrofa je \u017ee za ovinkom\u00a0\u2026<\/p>\n

Every time he goes to bed and turns off the light, something urgently reminds him: The toilet seat was left up, slippers are not exactly parallel, the tap is dripping\u2026Unfortunately, the small house where everything happens is on the shore. What does it look like from the dark sea? Doesn’t it remind you\u2026Yes, it does and a catastrophe is on the\u00a0way\u2026<\/p>\n

O\u00a0LJUBEZNI \/ ABOUT LOVE<\/strong><\/p>\n

Giacomo Agnetti (Gertie Srl\/Magic Mind Corporation) Italija\/Italy, 2008, digiBeta,\u00a04’33”<\/p>\n

Kaj je v\u00a0resnici ljubezen? Neskon\u010den nesporazum, v\u00a0katerem podle\u017ee vsak. Nere\u0161ljiv problem, ki se mu na koncu koncev lahko le smejimo. S\u00a0cini\u010dno naracijo in simboli\u010dnimi liki je serija filmov surrealisti\u010dna in \u0161aljiva \u0161tudija dinamike \u010dlove\u0161kih odnosov, ki vedno vodijo k\u00a0tragi\u010dnemu\u00a0koncu.<\/p>\n

What does love really mean? A\u00a0misunderstanding without limits which all people are destined to fall into. An irresolvable problem which, in the end, you can only laugh about. The use of cynical narration and symbolic characters makes the series a surreal and humorous observation of human dynamics that ultimately result in tragedy.<\/p>\n

ROJSTVO \/ BIRTH<\/strong><\/p>\n

Signe Baumane (Pierre Poire Productions) Italija, ZDA\/Italy, USA, 2009, Beta\u00a0SP,12′<\/p>\n

Sedemnajstletna Amina je nose\u010da in strah jo je rojevanja. Po nasvet in uteho se zate\u010de k\u00a0starej\u0161im \u017eenskam, a njihove zgodbe jo \u0161e bolj prestra\u0161ijo.<\/p>\n

Amina, a young woman of seventeen, is pregnant and afraid to give birth. For advice and consolation, she turns to older women but their stories scare her even further.<\/p>\n

VRNITEV \/ POWR\u00d3T \/ RETURN<\/strong><\/p>\n

Anna B\u0142aszczyk (Studio Se-Ma-For) Poljska\/Poland, 2008, 35mm,\u00a07’30”<\/p>\n

Kvadratasti astronavt se po stoletjih vesoljskega popotovanja vrne domov. Veliko re\u010di se je mo\u010dno spremenilo, nekatere pa se ne bodo nikoli. Recimo varljivost stvari, ki ostaja enaka, ne glede na prostor in\u00a0\u010das.<\/p>\n

A\u00a0square-like astronaut returns after hundreds of years spent in cosmic space. Many things are so different now, yet some seem to stay the same. Like the double-dealing way of things that remains constant, regardless of time and\u00a0place.<\/p>\n

BINGLJANJE ALI DESET TRIVIALNOSTI \/ LEBEG\u00c9S, AVAGY T\u00cdZ BAGATELL \/ DANGLING OR TEN TRIVIALITIES<\/strong><\/p>\n

G\u00e1bor Ulrich (Kecskem\u00e9tfilm Ltd.) Mad\u017earska\/Hungary, 2009, Beta SP,\u00a06’30”<\/p>\n

\u00bbOd tu te\u017eko presodimo, ali smrt prej napovejo otipljivi, ob\u010dutni dogodki, ali svojo \u017ertev zgrabi nepri\u010dakovano. Sicer pa je vseeno; pomembno je sodelovati, ne zmagati.\u00ab Szil\u00e1rd Podmaniczky<\/p>\n

\u201cIt is very hard to decide from here whether death has very tangible and palpable antecedents, or it suddenly snaps at its victim. Although it makes no difference; it is not winning that is important, but participation.\u201d Szil\u00e1rd Podmaniczky<\/p>\n

MOBITEL MANIJA \/ MOBITEL MANIA<\/strong><\/p>\n

Darko Vida\u010dkovi\u0107 (ALU Zagreb) Hrva\u0161ka\/Croatia, 2008, Beta SP,\u00a05’50”<\/p>\n

Za mlado dekle je vrhunec vsakdana njen mobilec. Klic vsakega fanta jo napolni z\u00a0energijo in prebudi njeno domi\u0161ljijo. Prazna baterija pa naredi konec tej hiperaktivnosti. Pograbi polnilec in namesto telefona priklju\u010di sebe. Polnijo jo barve in energija, na koncu pa se \u0161e sama spremeni v\u00a0mobilni telefon.<\/p>\n

The peak of a young girl’s\u00a0everyday life is her cell phone. A\u00a0call from a boy fills her up with energy and stirs her imagination. Her hyperactivity is stopped by the mobile’s\u00a0empty battery. She gets the mobile charger and instead charges herself. She gets filled with colours and energy until finally her body gets transformed into a cell\u00a0phone.<\/p>\n

BRITEV \/ BRZYTWA \/ THE RAZOR<\/strong><\/p>\n

Grzegorz Koncewicz (Serafinski Studio) Poljska\/Poland, 2009, Beta SP, 10’30”<\/p>\n

Mra\u010dna zgodba o\u00a0nepri\u010dakovanem koncu neke brivnice, narejena v\u00a0zastarelem stilu \u010drne komedije.<\/p>\n

A\u00a0dark story about an unexpected end of a barber-shop, shown in the outmoded style of black comedy.<\/p>\n

GULIVER \/ GULLIVER<\/strong><\/p>\n

Zdenko Ba\u0161i\u0107 (In Fine) Hrva\u0161ka\/Croatia, 2009, digiBeta, 13’30”<\/p>\n

Guliver je nepremi\u010dno sredi\u0161\u010de vesolja, predmet \u010da\u0161\u010denja malih Liliputancev, ki se mu po\u010dasi pribli\u017eajo, da bi na njem zgradili svojo civilizacijo. Njegovo zvezano telo jim slu\u017ei kot hrbtenica. Guliver tiho in negibno prena\u0161a malomarnost in uni\u010denje, ki ju dan za dnem do\u017eivlja od Liliputancev. Dokler se nekega dne vezi ne pretrgajo.<\/p>\n

Gulliver is standing still as a centre-piece of the Universe, a sign of awe for Lilliputians who slowly approach him and start building their civilization by using his tied body as a backbone. Gulliver is still and silent, enduring the burden of negligence and destruction the Lilliputians put on his being over and over. Until one day the ties\u00a0break.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 DOMOVINA \/ HOMELAND Juan de Dios Marfil Atienza (FAMU Prague) \u010ce\u0161ka, \u0160panija\/Czech Republic, Spain, 2009, Beta SP,\u00a06’25” Kjer je volja, je tudi pot. Where there’s\u00a0a will there’s\u00a0a way. TRI SESTRE IN ANDREJ \/ THREE SISTERS AND ANDREY Boris Despodov, Andrey Paunov (Act-Pik\/Nico Grein&Sebastian Leutner Filmproduktion GbR) Bolgarija, Nem\u010dija\/Bulgaria,Germany, 2008, 35mm,\u00a014′ Leta te\u010dejo. Tri sestre<\/p>\n","protected":false},"featured_media":2102,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/2101"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/2102"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=2101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}