{"id":2097,"date":"2020-03-27T12:43:10","date_gmt":"2020-03-27T11:43:10","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/stop-motion-retrospektiva-iv-klasiki-2\/"},"modified":"2020-03-27T13:02:11","modified_gmt":"2020-03-27T12:02:11","slug":"stop-motion-retrospektiva-iv-klasiki-2","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/stop-motion-retrospektiva-iv-klasiki-2\/","title":{"rendered":"Stop-motion retrospektiva IV: Klasiki 2"},"content":{"rendered":"

\u00a0RAVNOVESJE \/ BALANCE<\/strong><\/p>\n

Wolfgang & Christoph Lauenstein (HBK Hamburg\/Gesamthochschule Kassel) ZRN (Nem\u010dija)\/FRG (Germany),1989, 35mm,\u00a08′<\/p>\n

Na lebde\u010di plo\u0161\u010dadi \u017eivi skupina previdno postavljenih mo\u017e. Vsi se zavedajo, da plo\u0161\u010dad ni stabilna, in \u010de no\u010dejo zgrmeti v\u00a0smrt, morajo obdr\u017eati to krhko ravnovesje. Njihovo razmeroma harmoni\u010dno razumevanje pa razpade, ko eden od njih na plo\u0161\u010dad potegne te\u017eak tovor. In ravnovesje se poru\u0161i v\u00a0ve\u010d kot enem pomenu.<\/p>\n

On a floating platform lives a group of evenly and carefully placed men. Each man is aware that the platform is unstable and in order not to fall to their deaths, they maintain a careful balance. This reasonably harmonious understanding is lost when one man pulls up a heavy trunk. In the ensuing struggle, balance is lost in more ways than\u00a0one.<\/p>\n

PADEC \/ P\u00c1D \/ THE FALL<\/strong><\/p>\n

Aurel Klimt (Kr\u00e1tk\u00fd Film Praha\/Studio FAMU\/\u010cesk\u00e1 Televize) \u010ce\u0161ka\/Czech Republic, 1999, 35mm, 14’07”<\/p>\n

Prizori\u0161\u010de filma je pusta mestna ulica. Identi\u010dne \u017eenske postave v\u00a0dolgi vrsti \u010dakajo pred trgovino, da bi lahko kaj nakupile. Med njihovi \u010dakanjem s\u00a0strehe stavbe visi\u00a0mo\u017e.<\/p>\n

The setting is a bleack city street\u00a0\u2013 a long line of identical women waits outside a store for their chance to buy merchandise. As they wait, a man hangs from the top of a building.<\/p>\n

PES \/ DOG<\/strong><\/p>\n

Suzie Templeton (RCA London) VB\/UK, 2001, 35mm, 5’40”<\/p>\n

De\u010dek hrepeni po tem, da bi mu nekdo razlo\u017eil, zakaj je izgubil mamo. Da bi obvarovala drug drugega, o\u010de in sin svoj srd in \u017ealost zadr\u017eujeta v\u00a0sebi, kar ju vse bolj\u00a0greni.<\/p>\n

A\u00a0young boy longs for reassurance about how his mother died. To protect each other, he and his father hold their agony inside, where it festers.<\/p>\n

DO KOSTI \/ HASTA LOS HUESOS \/ DOWN TO THE BONE<\/strong><\/p>\n

Ren\u00e9 Castillo (Calavera Films\/IMCINE\/Roberto Rochin) Mehika\/Mexico, 2001, 35mm, 11’47”<\/p>\n

Mo\u017e se zbudi v\u00a0svoji krsti, igrati za\u010dne glasba in okostnjaki zaple\u0161ejo. Protagonist ugotovi, da kljub manj\u0161im neprijetnostim smrt le ni tako slaba stvar. Film ilustrira mehi\u0161ka kulturna prepri\u010danja o\u00a0smrti in posmrtnem \u017eivljenju.<\/p>\n

A\u00a0man awakens in his coffin, the music begins and the skeletons begin to dance. The main character discovers that despite minor inconveniences, being dead is not so bad. This film features Mexican cultural beliefs about death and the afterlife.<\/p>\n

GRAD DRUGIH OTROK \/ LE CHTEAU DES OTRES \/ THE OTHER KIDS’\u00a0CASTLE<\/strong><\/p>\n

Pierre Luc Granjon (Folimage Valence Production) Francija\/France, 2003, 35mm,\u00a05’38”<\/p>\n

Skupina \u0161olskih otrok obi\u0161\u010de ogromen grad. Eden od u\u010dencev se za hip zagleda v\u00a0kip, medtem pa ostali \u017ee nekam izginejo.<\/p>\n

A\u00a0group of pupils visits an immense castle. One of the children lingers a few seconds in front of a statue and gets split off from the rest of the\u00a0group.<\/p>\n

GOSPA TUTLI-PUTLI \/ MADAME TUTLI-PUTLI<\/strong><\/p>\n

Chris Lavis, Maciek Szczerbowski (NFB Canada) Kanada\/Canada, 2007, digiBeta (35mm), 17’14”<\/p>\n

Gospa Tutli-Putli se vkrca na no\u010dni vlak, ki jo povle\u010de v\u00a0vratolomno metafizi\u010dno pustolov\u0161\u010dino, polno skrivnosti in suspenza.<\/p>\n

Madame Tutli-Putli boards the night train and finds herself drawn into a desperate metaphysical adventure with an undertow of mystery and suspense.<\/p>\n

ZAJEC SLUGA \/ ZAYATS-SLUGA \/ HARE THE SERVANT<\/strong><\/p>\n

Elena Chernova (Pilot Moscow Animation Studio) Rusija\/Russia, 2007, Beta SP, 13′ Hakim in \u017eena sta marljiva delavca. Ko pa jima po\u017ear uni\u010di doma\u010do hi\u0161o, Hakim prelisi\u010di krivce za tragedijo in jim proda svojega slugo zajca. Zajec je v\u00a0resnici preoble\u010dena \u017eena, ki mo\u017eem izpolni vse njihove\u00a0\u017eelje.<\/p>\n

Hakim and his wife work hard\u00a0\u2013 but a fire destroys their house. Hakim tricks the three men responsible for the tragedy into buying his servant, the hare, played by\u00a0hi<\/p>\n

wife who performs miracles and fulfils every wish.<\/p>\n

MALI ZMAJ \/ LE PETIT DRAGON \/ THE LITTLE DRAGON<\/strong><\/p>\n

Bruno Collet (Vivement Lundi!\/Nadasdy Film) Francija, \u0160vica\/France, Switzerland, 2009, 35mm,\u00a08’30”<\/p>\n

Petintrideset let po smrti Brucea Leeja njegova du\u0161a najde utele\u0161enje v\u00a0mali lutki. Gumijasta igra\u010dka se polna samozavesti odpravi odkrivat orja\u0161ki svet okoli\u00a0sebe.<\/p>\n

Thirty-five years after Bruce Lee’s\u00a0death, his soul reincarnates in a little doll. With self-confidence, the rubber-made toy leaves to discover the great-scaled world all around\u00a0him.<\/p>\n

NEDELJSKA VO\u017dNJA \/ PASSEIO DE DOMINGO \/ SUNDAY\u00a0DRIVE<\/strong><\/p>\n

Jos\u00e9 Miguel Ribeiro (Zeppelin Filmes\/S.O.I.L.\/il Luster Productions\/Folimage Valence Production) Portugalska, Belgija, Nizozemska, Francija\/Portugal, Belgium, The Netherlands, France, 2009, 35mm,\u00a021′<\/p>\n

Lahko obdr\u017ei\u0161 skrivnost? To nedeljo bo druga\u010de. Ne bomo sedli v\u00a0avto. Mama in o\u010de se ne bosta kregala. In igrali se bomo na gredi orja\u0161kih zeljnih\u00a0glav.<\/p>\n

Can you keep a secret? This Sunday will be different. We will not get into the car. Mom and dad will not argue and we will play in a garden of gigantic cabbages.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0RAVNOVESJE \/ BALANCE Wolfgang & Christoph Lauenstein (HBK Hamburg\/Gesamthochschule Kassel) ZRN (Nem\u010dija)\/FRG (Germany),1989, 35mm,\u00a08′ Na lebde\u010di plo\u0161\u010dadi \u017eivi skupina previdno postavljenih mo\u017e. Vsi se zavedajo, da plo\u0161\u010dad ni stabilna, in \u010de no\u010dejo zgrmeti v\u00a0smrt, morajo obdr\u017eati to krhko ravnovesje. Njihovo razmeroma harmoni\u010dno razumevanje pa razpade, ko eden od njih na plo\u0161\u010dad potegne te\u017eak tovor. In<\/p>\n","protected":false},"featured_media":2098,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/2097"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/2098"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=2097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}