{"id":1735,"date":"2020-03-27T12:43:11","date_gmt":"2020-03-27T11:43:11","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/animateka-2009-svetovni-jagodni-izbor-ii\/"},"modified":"2020-03-27T13:02:10","modified_gmt":"2020-03-27T12:02:10","slug":"animateka-2009-svetovni-jagodni-izbor-ii","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/animateka-2009-svetovni-jagodni-izbor-ii\/","title":{"rendered":"Svetovni jagodni izbor II (2009)"},"content":{"rendered":"

\u00a0 ORGESTICULANISMUS<\/strong><\/p>\n

Mathieu Labaye (Camera-etc) Belgija\/Belgium, 2008, 35mm,\u00a09’29”<\/p>\n

Film prina\u0161a pomembno sporo\u010dilo o\u00a0izklju\u010denosti zaradi telesnega hendikepa. Slednjemu se pokloni, saj prepozna idejo notranjega prostora in mo\u010di, ki omogo\u010data telesno ovirani osebi, da se povzpne nad povpre\u010dje. Ponavljajo\u010di se gibi in zvo\u010dna podoba ustvarijo te\u017eko, a pozitivno vzdu\u0161je.<\/p>\n

The film delivers an important message about exclusion due to disability. It celebrates disability by recognizing the concept of inner space and strength that allow physically challenged people to rise above normality. The use of repetitious moves with the sound design creates an uncomfortable, yet positive atmosphere.<\/p>\n

\u017dIVALSKI PLES \/ ANIMAL DANCE<\/strong><\/p>\n

Ryo Okawara Japonska\/Japan, 2009, miniDV, 5’10”<\/p>\n

Dinami\u010dna \u017eivalska animacija!<\/p>\n

Dynamic creatures animation!<\/p>\n

GOZDNE SANJE \/ DR\u00d6MMAR FR\u00c5N SKOGEN \/ DREAMS FROM THE\u00a0WOODS<\/strong><\/p>\n

Johannes Nyholm (Joclo) \u0160vedska\/Sweden, 2009, 35mm,\u00a08’30”<\/p>\n

Film sen\u010dnih lutk z\u00a0Deklico, Ptico in Smrtjo v\u00a0glavnih vlogah govori o\u00a0ljubezni in bole\u010dini.<\/p>\n

A\u00a0shadow play about love and sorrow featuring the Girl, the Bird and\u00a0Death.<\/p>\n

UOKVIRJANJE \/ BILDFENSTER\u00a0\u2013 FENSTERBILDER \/ FRAMING<\/strong><\/p>\n

Bert Gottschalk Nem\u010dija\/Germany, 2007, 35mm, 6′<\/p>\n

Posamezne sli\u010dice 8-milimetrskega filma kot okna v\u00a0fasadah mestnih stavb. \u010ce pogledamo eno samo sli\u010dico, je tako, kot bi gledali skozi okno neke hi\u0161e. V\u00a0obeh primerih vidimo le izrez nekega dogajanja, ki je bolj ali manj naklju\u010dno uokvirjeno ter postavljeno v\u00a0novo okolje.<\/p>\n

The single frames of 8mm film are compared with windows in building-facades of a city. Looking at a single picture of a film is like looking through a window of a house facade. In both cases one can see only an extract of a happening more or less randomly framed and set into a new environment.<\/p>\n

MINUTNA MUHA \/ ONE MINUTE FLY<\/strong><\/p>\n

Michael Reichert Nem\u010dija\/Germany, 2008, Beta SP, 3’57”<\/p>\n

\u010ceprav traja le eno minuto, je \u017eivljenje majhnega protagonista presunljivo polno do\u017eivetij.<\/p>\n

Although lasting just one minute the main little character has a stunningly fulfilling\u00a0life.<\/p>\n

MAVER \/ O’MORO \/ THE MOOR<\/strong><\/p>\n

Christophe Calissoni, Eva Offr\u00e9do (Je Suis Bien Content) Francija\/France, 2009, 35mm,\u00a012′<\/p>\n

Neapelj konec petdesetih let. Karabinjer, mol\u010de\u010d orjak, ki se ga dr\u017ei vzdevek O’Moro\u00a0\u2013 Maver -, ima za nalogo aretirati vse mestne zlo\u010dince. Ko nekega jutra v\u00a0pristani\u0161\u010du sre\u010da ciganko, se mu \u017eivljenje popolnoma spremeni.<\/p>\n

Naples at the end of the 1950s. The carabinier, a taciturn giant that his senior officer calls O’Moro\u00a0\u2013 the Moor\u00a0\u2013 is charged with arresting the scum of the city. One morning a meeting with a gypsy at the port changes his\u00a0life.<\/p>\n

ASTRONOMOVE SANJE \/ THE ASTRONOMER’S\u00a0DREAM<\/strong><\/p>\n

Malcolm Sutherland Kanada\/Canada, 2009, miniDV, 7’15”<\/p>\n

Ko la\u010dni zvezdoslovec zaspi med re\u0161evanjem znanstvene uganke, spozna, da se re\u0161itev ne skriva v\u00a0vesolju, ampak v\u00a0bizarni prehranjevalni verigi njegovega nezavednega.<\/p>\n

When a hungry astronomer falls asleep while working on a problem, he discovers a solution not in outer space, but in the surreal food-chain of his subconscious\u00a0mind.<\/p>\n

JAZ(Z) \/ JAZZED<\/strong><\/p>\n

Anton Setola (NIAF\/Lumi\u00e8re\/Les Films du Nord) Nizozemska, Francija, Belgija\/The Netherlands, France, Belgium, 2008, Beta SP,\u00a06’50”<\/p>\n

Tavajo\u010di protagonist se na no\u010dnih potepanjih soo\u010da s\u00a0svojimi koreninami. Zbuja se s\u00a0hudim ma\u010dkom in nejasno samopodobo. S\u00a0tem ko film Jacka prisili, da sprosti svoja najbolje varovana, najgloblja ter nezaznavna \u010dustva, popelje gledalca na introspektivno popotovanje.<\/p>\n

An aimless character is confronted by his roots during his nights out on the town. It leaves him with a hell of a hangover, and a doubtful self image. Jazzed takes the audience on an introspective journey by pushing the hero, Jack, to release his most mysterious, profound and imperceptible emotions.<\/p>\n

RECI \u017dE KAJ \/ PLEASE SAY SOMETHING<\/strong><\/p>\n

David Oreilly (David Oreilly Animation) Nem\u010dija, Irska\/Germany, Ireland, 2009, digiBeta,\u00a010′<\/p>\n

Te\u017eaven odnos med Ma\u010dko in Mi\u0161jo, postavljen v\u00a0daljno prihodnost.<\/p>\n

A\u00a0troubled relationship between a Cat and Mouse set in the distant Future.<\/p>\n

POHOTNE\u017d \/ HORN DOG<\/strong><\/p>\n

Bill Plympton (Bill Plympton Studio) ZDA\/USA, 2009, 35mm,\u00a04’30”<\/p>\n

V\u00a0\u010detrtem delu odmevne \u00bbpasje\u00ab serije, ki je Plymptonu prinesla tudi nominacijo za oskarja, spremljamo nove nezgode koraj\u017enega \u0161tirino\u017eca. Tokrat se ubada s\u00a0predebelim psom, ki napada ostrige, in neutrudnim violinskim lokom z\u00a0morilskim nagonom, da bi si priboril naklonjenost svoje izbranke.<\/p>\n

Horn Dog is the fourth film in the famed Oscar nominated \u201cdog\u201d series. Here are more misadventures from our plucky canine, as he fends off an obese dog, attacking oysters, and a wayward killer violin bow, while trying to win the love of his heart’s\u00a0desire.<\/p>\n

VB\/UK, 2008, DVD, 3’14”<\/p>\n

RAZVOJ \u010cRNEGA PSA \/ THE BLACK DOG PROGRESS<\/strong><\/p>\n

Stephen Irwin (Animate Projects) VB\/UK, 2008, DVD,\u00a03’14”<\/p>\n

\u017dalostna zgodba \u010crnega psa se razvije skozi serijo flipbookov. Medtem ko se niza vedno ve\u010d elipti\u010dnih prizorov in se zgodba razvija naprej, postaja dogajanje vse bolj kompleksno.<\/p>\n

The sad story of the Black Dog is told with a series of flipbooks. The scene grows denser as looped scenes accumulate and the narrative develops.<\/p>\n

INUKSHUK<\/strong><\/p>\n

Camillelvis Th\u00e9ry (SIP Animation) Francija\/France, 2008, 35mm,\u00a08’45”<\/p>\n

Mali Inuk in nagajivi medved na vetrovnem ledu zadnjega polarnega dne opazujeta, kako se njun beli svet spreminja v\u00a0ogromen ocean\u00a0teme.<\/p>\n

On the last polar day, up on the howling ice, a little Inuk man and a mischievous bear see their white world metamorphosed into a huge whale ocean of darkness.<\/p>\n

ZME\u0160NJAVA \/ JAM<\/strong><\/p>\n

Mirai Mizue Japonska\/Japan, 2009, Beta SP, 2’45”<\/p>\n

Ko nara\u0161\u010data \u0161tevilo zvokov in \u0161tevilo bitij, se svet slej ko prej spremeni v\u00a0kaos. Svet \u017eivih bitij, ki se bliskovito mno\u017eijo\u00a0\u2026<\/p>\n

When the number of sounds increases, and the number of creatures increases, the world becomes confusing before long. The world of living things that increase rapidly\u2026<\/p>\n

KAKR\u0160NA MATI, TAK\u0160NA H\u010cI \/ DOCHKI-MATERI \/ LIKE MOTHER, LIKE DAUGHTER<\/strong><\/p>\n

Alexandra Lukina (VGIK Moscow) Rusija\/Russia, 2008, Beta SP,\u00a07′<\/p>\n

O\u00a0ljubezni in strahu.<\/p>\n

About love and fear.<\/p>\n

VESTERN \u0160PAGETI \/ WESTERN SPAGHETTI<\/strong><\/p>\n

PES (eatPES) ZDA\/USA, 2008, DVD, 1’45”<\/p>\n

Inovativen na\u010din priprave testenin \u2026<\/p>\n

A\u00a0novel way of preparing pasta\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 ORGESTICULANISMUS Mathieu Labaye (Camera-etc) Belgija\/Belgium, 2008, 35mm,\u00a09’29” Film prina\u0161a pomembno sporo\u010dilo o\u00a0izklju\u010denosti zaradi telesnega hendikepa. Slednjemu se pokloni, saj prepozna idejo notranjega prostora in mo\u010di, ki omogo\u010data telesno ovirani osebi, da se povzpne nad povpre\u010dje. Ponavljajo\u010di se gibi in zvo\u010dna podoba ustvarijo te\u017eko, a pozitivno vzdu\u0161je. The film delivers an important message about exclusion<\/p>\n","protected":false},"featured_media":1736,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/1735"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/1736"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=1735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}