{"id":1733,"date":"2020-03-27T12:43:12","date_gmt":"2020-03-27T11:43:12","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/film\/animateka-2009-svetovni-jagodni-izbor-i\/"},"modified":"2020-03-27T13:02:10","modified_gmt":"2020-03-27T12:02:10","slug":"animateka-2009-svetovni-jagodni-izbor-i","status":"publish","type":"movie","link":"https:\/\/www.kinodvor.org\/en\/film\/animateka-2009-svetovni-jagodni-izbor-i\/","title":{"rendered":"Svetovni jagodni izbor I (2009)"},"content":{"rendered":"

\u00a0 RUMENA OVOJNICA \/ L’ENVELOPPE JAUNE \/ THE YELLOW ENVELOPE<\/strong><\/p>\n

Delphine Hermans (Camera-etc) Belgija\/Belgium, 2008, 35mm,\u00a09′<\/p>\n

Anna \u017eivi sama s\u00a0svojim psom. Nekega dne v\u00a0nabiralniku med reklamami najde rumeno ovojnico s\u00a0pismom, ki ji svetuje, naj idealnega mo\u0161kega naro\u010di kar iz kataloga\u00a0\u2026<\/p>\n

Anna lives alone with her dog. One day, among the advertisements, she receives a big yellow envelope with a letter inside, suggesting her to order her ideal man by catalogue\u2026<\/p>\n

NAROBE \/ BACKWARDS<\/strong><\/p>\n

Aaron Hughe ZDA\/USA, 2009, digiBeta, 4’33”<\/p>\n

Ljubezenska zgodba, ki je tako narobe, da jo je treba povedati od\u00a0zadaj.<\/p>\n

A\u00a0love story so backwards, it has to be told in reverse.<\/p>\n

KOPALKA \/ THE BATHER<\/strong><\/p>\n

George Griffin ZDA\/USA, 2008, 35mm, 3’10”<\/p>\n

Vidimo \u017eensko, ki se prha za prosojno zaveso. Pogled nam po\u010dasi prekrivajo podobe iz animiranega flipbooka: zaporedje risb ple\u0161o\u010de \u017eenske. Medtem ko igra \u010dembala prekinja naravne zvoke okolja, se plesalka osvobodi iz listov papirja in prosto poplesuje v\u00a0preobilici eroti\u010dnih\u00a0gibov.<\/p>\n

A\u00a0woman is observed showering behind a translucent curtain. Gradually the view is obscured by a superimposed flipbook: a sequence of drawings of a dancing woman. As a harpsichord prelude interrupts the environment of natural sounds, the dancer is freed from the pages and cavorts in a multiplicity of erotic gestures.<\/p>\n

RIL\u010cKOVE DODATNE SPOSOBNOSTI \/ DOPOLNITEL’NYE VOZMOZHNOSTI PYATACHKA \/ THE ADDITIONAL CAPABILITIES OF THE\u00a0SNOUT<\/strong><\/p>\n

Ivan Maximov (Fund of Social Cultural Programmes \u201cGoubernia\u201d) Rusija\/Russia, 2008, Beta SP,\u00a05’15”<\/p>\n

Majhen pujsek z\u00a0velikim nosom, ki se imenuje Pyatachok ali Ril\u010dek.<\/p>\n

A\u00a0small pig with a long nose called Pyatachok or Little\u00a0Snout.<\/p>\n

KRI\u010cALA SEM PROTI \u017dIVLJENJU. ALI ZANJ. \/ JE CRAIS CONTRE LA VIE. OU POUR ELLE \/ I\u00a0WAS CRYING OUT AT LIFE. OR FOR\u00a0IT<\/strong><\/p>\n

Vergine Keaton (25\u00a0Films) Francija\/France, 2008, 35mm,\u00a09’10”<\/p>\n

Jeleni se postavijo po robu krdelu psov, ki jih lovijo po gozdu. Med nenavadnim lovom prihajajo na plano \u010disto nove pokrajine.<\/p>\n

In the forest, the stags turn against the pack of dogs that has been chasing them. From this strange chase new landscapes surge from the ground.<\/p>\n

POPOLDAN \/ AFTERNOON<\/strong><\/p>\n

Ji-ye Ko (Kaywoon School of Art and Design) Ju\u017ena Koreja\/South Korea, 2008, digiBeta,\u00a06’25”<\/p>\n

Mirno, son\u010dno popoldne, a v\u00a0zraku je \u010dutiti nekaj nenavadnega.<\/p>\n

A\u00a0peaceful, sunny afternoon, but there is something special in the\u00a0wind.<\/p>\n

SEDEM BRATOV \/ THE 7\u00a0BROTHERS<\/strong><\/p>\n

Paul & Kaj Driessen (Cin\u00e9t\u00e9 filmproduktie B.V.) Nizozemska\/The Netherlands, 2008, 35mm, 12’22”<\/p>\n

Sedem bratov Grimm (ko smo mislili, da sta bila dva, smo \u017eiveli v\u00a0zmoti) i\u0161\u010de navdih za svoje pravljice. A\u00a0nove zgodbe, ki jih pi\u0161ejo (v\u00a0igranem filmu), se (v\u00a0animaciji) kon\u010dajo druga\u010de, kot smo bili vajeni.<\/p>\n

The seven Grimm brothers (mistakenly we always assumed there were only two) are looking for inspiration for their fairy tales. But the new stories they are writing (in live action) end (in animation) differently from the tales we\u00a0know.<\/p>\n

BORIS<\/strong><\/p>\n

Daniel Lundquist ZDA\/USA, 2008, digiBeta, 3’30”<\/p>\n

Boris za rojstni dan dobi boben. Svoj boben ima tako rad, da neprestano tol\u010de po njem in s\u00a0tem spravlja ob \u017eivce vso vas. Va\u0161\u010dani poskusijo vse mogo\u010de, da bi ga uti\u0161ali, in fantu celo odre\u017eejo roke. Ampak Borisu se \u0161e vedno posre\u010di igrati na\u00a0boben.<\/p>\n

Boris got a drum for his birthday. He loved the drum so much, he played it constantly, annoying the entire village. The villagers try everything they can to stop the drumming, even cut of Boris’s\u00a0arms. However, Boris still finds a way to\u00a0play.<\/p>\n

GOSPODAR DALJINCA \/ THE CONTROL MASTER<\/strong><\/p>\n

Run Wrake (A\u00a0Sclah Films Production for Veer) VB\/UK, 2008, digiBeta,\u00a06’45”<\/p>\n

V\u00a0mirnem mestecu Halftone City se skrivnostna junakinja in njen drzni zaveznik spopadeta z\u00a0najnevarnej\u0161o gro\u017enjo \u2026 Film je nastal po naro\u010dilu Kanadske agencije za vizualne elemente Veer v\u00a0sklopu promocije njene zbirke del Charlesa S. Andersona in je narejen izklju\u010dno z\u00a0uporabo vizualnih virov iz tega bogatega arhiva.<\/p>\n

In peaceful Halftone City, a mysterious heroine and a brave ally face the ultimate threat\u2026 Commissioned by Veer, the Canadian visual elements agency, to promote their Charles S. Anderson collection, the film is animated using only images from this vast archive as source material.<\/p>\n

GOSPOD COK \/ MONSIEUR COK \/ MISTER COK<\/strong><\/p>\n

Franck Dion (PAPY3D) Francija\/France, 2008, 35mm, 9’45”<\/p>\n

Gospod Cok je lastnik velike tovarne za izdelavo bomb. Da bi pove\u010dal njeno u\u010dinkovitost in dobi\u010dek, se odlo\u010di delavce zamenjati z\u00a0vrhunskimi roboti. Delavci nemo\u010dno opazujejo garanje robotov, a eden od njih se ne bo kar tako sprijaznil s\u00a0tem, da so ga vrgli na cesto\u00a0\u2026<\/p>\n

Mister Cok is the owner of a large bomb factory. Looking for efficiency and profit, he decides to replace his workers with sophisticated robots. The former stare helplessly at the toil of the robotic labourers. But one of the workers does not accept being discarded so easily\u2026<\/p>\n

SU\u017dNJI \/ SLAVAR \/ SLAVES<\/strong><\/p>\n

Hanna Heilborn, David Aronowitsch (Story AB) \u0160vedska\/Sweden, 2008, 35mm,\u00a015′<\/p>\n

\u201cUgrabili so nas, mamo, o\u010deta in naju s\u00a0sestrico. Star\u0161a so ubili, naju pa lo\u010dili. Star sem bil pet let,\u00ab pripoveduje Abuk. \u00bb\u017divel sem pri ugrabitelju in skrbel za njegove koze.\u201d Su\u017enji so film o\u00a0Abuku (9) in Machieku (15). Kot tiso\u010de drugih otrok v\u00a0Sudanu so ju ugrabili pripadniki dr\u017eavno sponzorirane milice, ki otroke uporablja za su\u017enje.<\/p>\n

\u201cWe were abducted, my mother, father, sister and me. Then they killed my parents and separated me from my sister. I\u00a0was five,\u201d tells Abuk, \u201cI\u00a0stayed with one of the men who kidnapped us and took care of his goats.\u201d Slaves is about Abuk (9) and Machiek (15). Like thousands of others they were taken by government sponsored militia in Sudan and used as slaves.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 RUMENA OVOJNICA \/ L’ENVELOPPE JAUNE \/ THE YELLOW ENVELOPE Delphine Hermans (Camera-etc) Belgija\/Belgium, 2008, 35mm,\u00a09′ Anna \u017eivi sama s\u00a0svojim psom. Nekega dne v\u00a0nabiralniku med reklamami najde rumeno ovojnico s\u00a0pismom, ki ji svetuje, naj idealnega mo\u0161kega naro\u010di kar iz kataloga\u00a0\u2026 Anna lives alone with her dog. One day, among the advertisements, she receives a big<\/p>\n","protected":false},"featured_media":1734,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/1733"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/1734"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=1733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}