Wiseman se je z\u00a0zna\u010dilno potrpe\u017eljivostjo in ob\u010dutkom za nadrobno lotil francoske institucije za ples, baletnega oddelka pari\u0161ke operne hi\u0161e, ki domuje v\u00a0mogo\u010dni Palais Garnier. Kot vedno ga ne zanima zgolj \u00bbzunanja podoba\u00ab hi\u0161e\u00a0\u2013 v\u00a0tem primeru baletna predstava za ob\u010dinstvo, temve\u010d \u017eivo tkivo ustanove za fasado, dolgotrajne vaje, sodelovanje med koreografi in plesalci, komuniciranje z\u00a0umetni\u0161ko direktorico hi\u0161e, te\u017eave z\u00a0gmotno podporo, spori glede statusa plesalcev in pokojninske reforme, pa celotno ozadje hi\u0161e: od tehnikov, asistentov, ra\u010dunovodij, delavcev v\u00a0menzi, scenografov \u2026 Skratka profesionalni in socialni vidik slovite umetni\u0161ke ustanove, ki se steka v\u00a0posnetkih sedmih baletnih predstav.<\/p>\n
\u00bbNe maram raziskovanja\u00a0\u2013 vendar je snemanje filma raziskovanje, saj nobeden od dogodkov v\u00a0filmu ni insceniran. Nikoli nikogar ne prosim, da nekaj naredi posebej zame. Vse, o\u00a0\u010demer se moram vnaprej prepri\u010dati, sta razporeditev prostora in redni postopek dela. Pri baletnem ansamblu Pari\u0161ke opere je bilo to zelo preprosto, saj vsak teden objavi urnik vaj in predstav.\u00ab (Frederick Wiseman)<\/p>\n
The Paris Opera Ballet is one of the world\u2019s\u00a0great ballet companies. The film follows the rehearsals and performances of seven ballets. Additionally, it shows the work involved in administering the company and the coordinated and collaborative work of choreographers, ballet masters, dancers, musicians, as well as costume, set, and lighting designers.<\/p>\n
Frederick Wiseman\u00a0\u2013 filmografija (izbor\/selection)<\/strong> Wiseman se je z\u00a0zna\u010dilno potrpe\u017eljivostjo in ob\u010dutkom za nadrobno lotil francoske institucije za ples, baletnega oddelka pari\u0161ke operne hi\u0161e, ki domuje v\u00a0mogo\u010dni Palais Garnier. Kot vedno ga ne zanima zgolj \u00bbzunanja podoba\u00ab hi\u0161e\u00a0\u2013 v\u00a0tem primeru baletna predstava za ob\u010dinstvo, temve\u010d \u017eivo tkivo ustanove za fasado, dolgotrajne vaje, sodelovanje med koreografi in plesalci, komuniciranje z\u00a0umetni\u0161ko direktorico<\/p>\n","protected":false},"featured_media":1335,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies\/1334"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/movies"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/movie"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/1335"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=1334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Titicut Follies (1967); Welfare (1975); Missile (1987); Public Housing (1997); Domestic Violence (2001); Dr\u017eavna zakonodaja\/State Legislature (2007); La danse\u00a0\u2013 Balet Pari\u0161ke opere\/La danse\u00a0\u2013 Le ballet de l’Op\u00e9ra de Paris\u00a0(2009)<\/p>\n","protected":false},"excerpt":{"rendered":"