{"id":983,"date":"2018-01-26T13:03:28","date_gmt":"2018-01-26T12:03:28","guid":{"rendered":"http:\/\/localhost\/apps\/kinodvor\/index.php\/dogodek\/politicni-videospot\/"},"modified":"2018-01-26T13:31:12","modified_gmt":"2018-01-26T12:31:12","slug":"politicni-videospot","status":"publish","type":"event","link":"https:\/\/www.kinodvor.org\/en\/dogodek\/politicni-videospot\/","title":{"rendered":"Politi\u010dni videospot"},"content":{"rendered":"<p>\u010ce omenimo glasbeni videospot in politiko v enem stavku, bi morda pomislili, da gre za precej ponesre\u010deno kombinacijo. \u010ce za omembe vreden politi\u010dni anga\u017ema v umetnosti \u0161tejemo resne, poglobljene estetske prakse, pa videospot \u0161e vedno vztraja predvsem kot orodje promocije glasbene podlage. Pa vendar &#8211; tudi v svetu videospotov je pojem politi\u010dnega skozi dela nekaterih vidnih re\u017eiserjev ob\u010dasno mo\u010dno stopil v ospredje. <\/p>\n<p>V tokratnem ve\u010deru &#8216;Podoba-Glasba v \u017eivo&#8217; se bomo v dobri uri posvetili prav prepletu teh dveh elementov ter preu\u010dili na\u010dine, kako se je pojem politi\u010dnega v zadnjih letih najvidneje prebil tudi v glasbeni video. Ogledali si bomo videospote izvajalcev, kot so<strong> PJ Harvey, Rage Against the Machine, UNKLE, M.I.A., Die Antwoord<\/strong> ter re\u017eiserjev <strong>Jonathana Glazerja, Romaina Gavrasa, Hypea Williamsa<\/strong> in ostalih.<\/p>\n","protected":false},"featured_media":984,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/events\/983"}],"collection":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/events"}],"about":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media\/984"}],"wp:attachment":[{"href":"https:\/\/www.kinodvor.org\/en\/wp-json\/wp\/v2\/media?parent=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}