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Documentary Film Festival 2018

In Praise of Nothing Slatko od ništa

Boris Mitić / Serbia / 2017 / 78 min / English

A whistleblowing documentary parable about Nothing, narrated – in simple childish verse – by Iggy Pop.

A whistleblowing documentary parable about Nothing, narrated – in simple childish verse – by Iggy Pop. One day, Nothing runs away from home, tired of being misunderstood. There follows a feelgood adventure in which Nothing roams the world like a fallen prophet, denouncing our delusions and admitting its own, all the while trying to persuade us of its natural, necessary and ultimately constructive role. Each shot, sound, cut or line in the film represents a connotation, manifestation or quirky point of view of Nothing; each twist in the plot – a mirrored slice of our own lives.

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What's On

Additional Screening

Oppenheimer Oppenheimer

Christopher Nolan

Thursday, 28. 03. 2024 / 14:40 / Main Hall

“Prometheus was punished by the Gods for giving fire to man.” Christopher Nolan (Tenet, Dunkirk, Inception) brings the story of J. Robert Oppenheimer, often credited as “the father of the atomic bomb”. Nolan’s script was based on the Pulitzer Prize winning book by Kai Bird and Martin J. Sherwin American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer. A stellar cast including Cillian Murphy as Oppenheimer. One of the most anticipated movies this summer.

The Eternal Memory La memoria infinita

Maite Alberdi

Thursday, 28. 03. 2024 / 17:30 / Small Hall

The story of Paulina’s deep and uncompromising devotion and Augusto’s fierce struggle to preserve his identity is a heartbreaking and inspiring monument to the indestructible power of love. The film by Maite Alberdi (The Mole Agent) was nominated for the Oscar for Best Documentary.

Last Screening

Priscilla Priscilla

Sofia Coppola

Thursday, 28. 03. 2024 / 18:20 / Main Hall

With a gentle and sensitive story of a young girl’s longing, growing up in a fairy tale, and finding her own life path, Sofia Coppola (Marie Antoinette, Lost in Translation) reveals the other side of the American myth of the King of Rock’n’Roll. The film, based on Priscilla Presley’s book Elvis and Me, brought Cailee Spaeny the Best Actress award in Venice.